Othello by William Shakespeare Essay Example | Topics and Well Written Essays - 500 words

Othello by William Shakespeare - Essay Example Outdoors, the cool autumn New York City air was tinged for a moment with the melancholy sounds of Billy Holliday belting out her first-hand impression of the ever-present scourge of lynching in the Deep South; painfully echoing through the words of a song she named Strange Fruit. Set in northern Italy during the late sixteen century, William Shakespeare's tragedy has never been able to avoid its powerful racial imagery. Perhaps that is as it was meant to be. However today, in such a multi-cultural and yet arguably still a rather segregated society, it is often difficult for Americans to truly gage racial sensibilities across several centuries and such wide bodies of water. When have we ever been able to gage an honest understanding of the true nature of racism within our own society So it is, that the best that we may hope to do is to put notions of racial antagonism and identity within the proper context of a prominent European city immersed within the waning years of the Italian Renaissance. Watching from the very first scene, as Iago appears to speak somewhat disparagingly of him as - 'The Moor', and Roderigo mocks his 'thick lips', what are we to make of the contemporary at

ATM Services Assignment Example | Topics and Well Written Essays - 1000 words

ATM Services - Assignment Example After selection of the withdraw option, at this point the user is requested to select the type of account he or she is willing to withdraw from i.e. saving the account, fixed account, and deposit account. After selecting a type of account you wish to withdraw from, you enter the amount you wish to withdraw and submit to bank database for verification. The system verifies whether the amount submitted by the bank customer is sufficient for withdrawal, if not, the customer is requested to enter different amount whereas if the amount entered is approved by the bank or there is sufficient cash, the system sends the account number, PIN, choosen account and the amount in the bank which approves the transaction thus dispensing the correct amount requested by the user and issues a receipt else if the transaction is disapproved because of the incorrect PIN, the disapproval are reported to the system thus initiating Failed Transaction extension. Therefore, informing the bank whether the transac tion has been approved or not; it is completed the bank debits the customer’s for the amount. A transaction involved when depositing dollar amount starts with a session when a customer chooses from the possible transaction types indicated or shown by an ATM machine or system. Therefore, he or she chooses the type of account he or she is wishing to deposit to form the various menu accounts option given and then he proceeds by choosing the amount of dollar through pressing the key or typing digits of the amount to be deposited. During this moment, the bank customer information is sent to the bank database for verification i.e. user card number, PIN, the amount to be deposited, and amount to the bank.

Gardens Essay -- Environment, Nature and Culture, Landscape

Throughout the history of mankind, the gardens have been created to feed the spirit. The landscape is a relationship between nature and culture; it expresses who we are and where we from. Furthermore, landscape architecture advances along with society and it adjust to the change of their tastes and way of life. It is at first hand the search for a balance of adapting the environment and the advance society. We can observe the different styles and designs process each culture has, simply by looking at what kind of elements, plants, and regulations it uses. For example in the United States a designer takes into consideration the ADA regulations while in Mexico they don’t, which will result in a different design approach. This means that we might witness a similar design containing a bridge crossing through a pond but one design might incorporate railings and the other one will not. This tells us how one society values the importance of incorporating safety and handicap accessi bility just by using different elements. The following essay intends to discuss how culture can contribute to the design of an exterior space and how it’s reflected in the work of a landscape architect. To accomplish this task I am going to look at two landscape architects from different regions and witness how diverse but also how unified they are to each other by looking at the way they incorporate elements from their culture and other societies. LANDSCAPE ARCHITECTURE IN BRAZIL The first landscape architect that I choose to accomplish my task is Burle Marx. Troguhout his life he designed hundreds of private and public space which helped him get recognized and obtain comitions throughout Latin- America, United States, and across the continent. Burle ... ...Because of the importance of the location of the site the designer took into consideration the culture aspect of the area. The Olympic forest Park combines the traditional Chinese landscape and the feng-shui philosophy with the contemporary design concepts and techniques. Two crucial traditional elements used were the mountain and water feature, these were incorporated in the planning and design of the Olympic Forest Park. An artificial mountain was created and dragon-shape lake flowing along the axis was designed. The mountain designed is called Yandshan Mountain, to accomplish the design of this mountain the designer analyze other important mountains around Beijing. On the south entrance, large stones are located throughout the plaza. the overall design includes rich landforms, mountain chain, islands, and downhill streams that offer diverse eco-habitats (Jie).

The Da Vinci Code Chapter 102-104

CHAPTER 102 The mist had settled low on Kensington Gardens as Silas limped into a quiet hollow out of sight. Kneeling on the wet grass, he could feel a warm stream of blood flowing from the bullet wound below his ribs. Still, he stared straight ahead. The fog made it look like heaven here. Raising his bloody hands to pray, he watched the raindrops caress his fingers, turning them white again. As the droplets fell harder across his back and shoulders, he could feel his body disappearing bit by bit into the mist. I am a ghost. A breeze rustled past him, carrying the damp, earthy scent of new life. With every living cell in his broken body, Silas prayed. He prayed for forgiveness. He prayed for mercy. And, above all, he prayed for his mentor†¦ Bishop Aringarosa†¦ that the Lord would not take him before his time. Hehas so much work left to do. The fog was swirling around him now, and Silas felt so light that he was sure the wisps would carry him away. Closing his eyes, he said a final prayer. From somewhere in the mist, the voice of Manuel Aringarosa whispered to him. Our Lord is a good and merciful God. Silas's pain at last began to fade, and he knew the bishop was right. CHAPTER 103 It was late afternoon when the London sun broke through and the city began to dry. Bezu Fache felt weary as he emerged from the interrogation room and hailed a cab. Sir Leigh Teabing had vociferously proclaimed his innocence, and yet from his incoherent rantings about the Holy Grail, secret documents, and mysterious brotherhoods, Fache suspected the wily historian was setting the stage for his lawyers to plead an insanity defense. Sure, Fache thought. Insane.Teabing had displayed ingenious precision in formulating a plan that protected his innocence at every turn. He had exploited both the Vatican and Opus Dei, two groups that turned out to be completely innocent. His dirty work had been carried out unknowingly by a fanatical monk and a desperate bishop. More clever still, Teabing had situated his electronic listening post in the one place a man with polio could not possibly reach. The actual surveillance had been carried out by his manservant, Remy – the lone person privy to Teabing's true identity – now conveniently dead of an allergic reaction. Hardly the handiwork of someone lacking mental faculties, Fache thought. The information coming from Collet out of Chateau Villette suggested that Teabing's cunning ran so deep that Fache himself might even learn from it. To successfully hide bugs in some of Paris's most powerful offices, the British historian had turned to the Greeks. Trojan horses.Some of Teabing's intended targets received lavish gifts of artwork, others unwittingly bid at auctions in which Teabing had placed specific lots. In Sauniere's case, the curator had received a dinner invitation to Chateau Villette to discuss the possibility of Teabing's funding a new Da Vinci Wing at the Louvre. Sauniere's invitation had contained an innocuous postscript expressing fascination with a robotic knight that Sauniere was rumored to have built. Bring him to dinner, Teabing had suggested. Sauniere apparently had done just that and left the knight unattended long enough for Remy Legaludec to make one inconspicuous addition. Now, sitting in the back of the cab, Fache closed his eyes. One more thing to attend to before Ireturn to Paris. The St. Mary's Hospital recovery room was sunny. â€Å"You've impressed us all,† the nurse said, smiling down at him. â€Å"Nothing short of miraculous.† Bishop Aringarosa gave a weak smile. â€Å"I have always been blessed.† The nurse finished puttering, leaving the bishop alone. The sunlight felt welcome and warm on his face. Last night had been the darkest night of his life. Despondently, he thought of Silas, whose body had been found in the park. Please forgive me, my son. Aringarosa had longed for Silas to be part of his glorious plan. Last night, however, Aringarosa had received a call from Bezu Fache, questioning the bishop about his apparent connection to a nun who had been murdered in Saint-Sulpice. Aringarosa realized the evening had taken a horrifying turn. News of the four additional murders transformed his horror to anguish. Silas, what have you done! Unable to reach the Teacher, the bishop knew he had been cut loose. Used.The only way to stop the horrific chain of events he had helped put in motion was to confess everything to Fache, and from that moment on, Aringarosa and Fache had been racing to catch up with Silas before the Teacher persuaded him to kill again. Feeling bone weary, Aringarosa closed his eyes and listened to the television coverage of the arrest of a prominent British knight, Sir Leigh Teabing. The Teacher laid bare for all to see.Teabing had caught wind of the Vatican's plans to disassociate itself from Opus Dei. He had chosen Aringarosa as the perfect pawn in his plan. After all, who more likely to leap blindly after the Holy Grail thana man like myself with everything to lose? The Grail would have brought enormous power to anyone who possessed it. Leigh Teabing had protected his identity shrewdly – feigning a French accent and a pious heart, and demanding as payment the one thing he did not need – money. Aringarosa had been far too eager to be suspicious. The price tag of twenty million euro was paltry when compared with the prize of obtaining the Grail, and with the Vatican's separation payment to Opus Dei, the finances had worked nicely. The blind see what they want to see.Teabing's ultimate insult, of course, had been to demand payment in Vatican bonds, such that if anything went wrong, the investigation would lead to Rome. â€Å"I am glad to see you're well, My Lord.† Aringarosa recognized the gruff voice in the doorway, but the face was unexpected – stern, powerful features, slicked-back hair, and a broad neck that strained against his dark suit. â€Å"Captain Fache?† Aringarosa asked. The compassion and concern the captain had shown for Aringarosa's plight last night had conjured images of a far gentler physique. The captain approached the bed and hoisted a familiar, heavy black briefcase onto a chair. â€Å"I believe this belongs to you.† Aringarosa looked at the briefcase filled with bonds and immediately looked away, feeling only shame. â€Å"Yes†¦ thank you.† He paused while working his fingers across the seam of his bed sheet, then continued. â€Å"Captain, I have been giving this deep thought, and I need to ask a favor of you.† â€Å"Of course.† â€Å"The families of those in Paris who Silas†¦Ã¢â‚¬  He paused, swallowing the emotion. â€Å"I realize no sum could possibly serve as sufficient restitution, and yet, if you could be kind enough to divide the contents of this briefcase among them†¦ the families of the deceased.† Fache's dark eyes studied him a long moment. â€Å"A virtuous gesture, My Lord. I will see to it your wishes are carried out.† A heavy silence fell between them. On the television, a lean French police officer was giving a press conference in front of a sprawling mansion. Fache saw who it was and turned his attention to the screen. â€Å"Lieutenant Collet,† a BBC reporter said, her voice accusing. â€Å"Last night, your captain publicly charged two innocent people with murder. Will Robert Langdon and Sophie Neveu be seeking accountability from your department? Will this cost Captain Fache his job?† Lieutenant Collet's smile was tired but calm. â€Å"It is my experience that Captain Bezu Fache seldom makes mistakes. I have not yet spoken to him on this matter, but knowing how he operates, I suspect his public manhunt for Agent Neveu and Mr. Langdon was part of a ruse to lure out the real killer.† The reporters exchanged surprised looks. Collet continued. â€Å"Whether or not Mr. Langdon and Agent Neveu were willing participants in the sting, I do not know. Captain Fache tends to keep his more creative methods to himself. All I can confirm at this point is that the captain has successfully arrested the man responsible, and that Mr. Langdon and Agent Neveu are both innocent and safe.† Fache had a faint smile on his lips as he turned back to Aringarosa. â€Å"A good man, that Collet.† Several moments passed. Finally, Fache ran his hand over his forehead, slicking back his hair as he gazed down at Aringarosa. â€Å"My Lord, before I return to Paris, there is one final matter I'd like to discuss – your impromptu flight to London. You bribed a pilot to change course. In doing so, you broke a number of international laws.† Aringarosa slumped. â€Å"I was desperate.† â€Å"Yes. As was the pilot when my men interrogated him.† Fache reached in his pocket and produced a purple amethyst ring with a familiar hand-tooled mitre-crozier applique. Aringarosa felt tears welling as he accepted the ring and slipped it back on his finger. â€Å"You've been so kind.† He held out his hand and clasped Fache's. â€Å"Thank you.† Fache waved off the gesture, walking to the window and gazing out at the city, his thoughts obviously far away. When he turned, there was an uncertainty about him. â€Å"My Lord, where do you go from here?† Aringarosa had been asked the exact same question as he left Castel Gandolfo the night before. â€Å"I suspect my path is as uncertain as yours.† â€Å"Yes.† Fache paused. â€Å"I suspect I will be retiring early.† Aringarosa smiled. â€Å"A little faith can do wonders, Captain. A little faith.† CHAPTER 104 Rosslyn Chapel – often called the Cathedral of Codes – stands seven miles south of Edinburgh, Scotland, on the site of an ancient Mithraic temple. Built by the Knights Templar in 1446, the chapel is engraved with a mind-boggling array of symbols from the Jewish, Christian, Egyptian, Masonic, and pagan traditions. The chapel's geographic coordinates fall precisely on the north-south meridian that runs through Glastonbury. This longitudinal Rose Line is the traditional marker of King Arthur's Isle of Avalon and is considered the central pillar of Britain's sacred geometry. It is from this hallowed Rose Line that Rosslyn – originally spelled Roslin – takes its name. Rosslyn's rugged spires were casting long evening shadows as Robert Langdon and Sophie Neveu pulled their rental car into the grassy parking area at the foot of the bluff on which the chapel stood. Their short flight from London to Edinburgh had been restful, although neither of them had slept for the anticipation of what lay ahead. Gazing up at the stark edifice framed against a cloud-swept sky, Langdon felt like Alice falling headlong into the rabbit hole. This must be a dream.And yet he knew the text of Sauniere's final message could not have been more specific. The Holy Grail ‘neath ancient Roslin waits. Langdon had fantasized that Sauniere's â€Å"Grail map† would be a diagram – a drawing with an X- marks-the-spot – and yet the Priory's final secret had been unveiled in the same way Sauniere had spoken to them from the beginning. Simple verse.Four explicit lines that pointed without a doubt to this very spot. In addition to identifying Rosslyn by name, the verse made reference to several of the chapel's renowned architectural features. Despite the clarity of Sauniere's final revelation, Langdon had been left feeling more off balance than enlightened. To him, Rosslyn Chapel seemed far too obvious a location. For centuries, this stone chapel had echoed with whispers of the Holy Grail's presence. The whispers had turned to shouts in recent decades when ground-penetrating radar revealed the presence of an astonishing structure beneath the chapel – a massive subterranean chamber. Not only did this deep vault dwarf the chapel atop it, but it appeared to have no entrance or exit. Archaeologists petitioned to begin blasting through the bedrock to reach the mysterious chamber, but the Rosslyn Trust expressly forbade any excavation of the sacred site. Of course, this only fueled the fires of speculation. What was the Rosslyn Trust trying to hide? Rosslyn had now become a pilgrimage site for mystery seekers. Some claimed they were drawn here by the powerful magnetic field that emanated inexplicably from these coordinates, some claimed they came to search the hillside for a hidden entrance to the vault, but most admitted they had come simply to wander the grounds and absorb the lore of the Holy Grail. Although Langdon had never been to Rosslyn before now, he always chuckled when he heard the chapel described as the current home of the Holy Grail. Admittedly, Rosslyn once might have been home to the Grail, long ago†¦ but certainly no longer. Far too much attention had been drawn to Rosslyn in past decades, and sooner or later someone would find a way to break into the vault. True Grail academics agreed that Rosslyn was a decoy – one of the devious dead ends the Priory crafted so convincingly. Tonight, however, with the Priory's keystone offering a verse that pointed directly to this spot, Langdon no longer felt so smug. A perplexing question had been running through his mind all day: Why would Sauniere go to such effort to guide us to so obvious a location? There seemed only one logical answer. There is something about Rosslyn we have yet to understand. â€Å"Robert?† Sophie was standing outside the car, looking back at him. â€Å"Are you corning?† She was holding the rosewood box, which Captain Fache had returned to them. Inside, both cryptexes had been reassembled and nested as they had been found. The papyrus verse was locked safely at its core – minus the shattered vial of vinegar. Making their way up the long gravel path, Langdon and Sophie passed the famous west wall of the chapel. Casual visitors assumed this oddly protruding wall was a section of the chapel that had not been finished. The truth, Langdon recalled, was far more intriguing. The west wall of Solomon's Temple. The Knights Templar had designed Rosslyn Chapel as an exact architectural blueprint of Solomon's Temple in Jerusalem – complete with a west wall, a narrow rectangular sanctuary, and a subterranean vault like the Holy of Holies, in which the original nine knights had first unearthed their priceless treasure. Langdon had to admit, there existed an intriguing symmetry in the idea of the Templars building a modern Grail repository that echoed the Grail's original hiding place. Rosslyn Chapel's entrance was more modest than Langdon expected. The small wooden door had two iron hinges and a simple, oak sign. ROSLIN This ancient spelling, Langdon explained to Sophie, derived from the Rose Line meridian on which the chapel sat; or, as Grail academics preferred to believe, from the† Line of Rose† – the ancestral lineage of Mary Magdalene. The chapel would be closing soon, and as Langdon pulled open the door, a warm puff of air escaped, as if the ancient edifice were heaving a weary sigh at the end of a long day. Her entry arches burgeoned with carved cinquefoils. Roses. The womb of the goddess. Entering with Sophie, Langdon felt his eyes reaching across the famous sanctuary and taking it all in. Although he had read accounts of Rosslyn's arrestingly intricate stonework, seeing it in person was an overwhelming encounter. Symbology heaven, one of Langdon's colleagues had called it. Every surface in the chapel had been carved with symbols – Christian cruciforms, Jewish stars, Masonic seals, Templar crosses, cornucopias, pyramids, astrological signs, plants, vegetables, pentacles, and roses. The Knights Templar had been master stonemasons, erecting Templar churches all over Europe, but Rosslyn was considered their most sublime labor of love and veneration. The master masons had left no stone uncarved. Rosslyn Chapel was a shrine to all faiths†¦ to all traditions†¦ and, above all, to nature and the goddess. The sanctuary was empty except for a handful of visitors listening to a young man giving the day's last tour. He was leading them in a single-file line along a well-known route on the floor – an invisible pathway linking six key architectural points within the sanctuary. Generations of visitors had walked these straight lines, connecting the points, and their countless footsteps had engravedan enormous symbol on the floor. The Star of David, Langdon thought. No coincidence there.Also known as Solomon's Seal, this hexagram had once been the secret symbol of the stargazing priests and was later adopted by the Israelite kings – David and Solomon. The docent had seen Langdon and Sophie enter, and although it was closing time, offered a pleasant smile and motioned for them to feel free to look around. Langdon nodded his thanks and began to move deeper into the sanctuary. Sophie, however, stood riveted in the entryway, a puzzled look on her face. â€Å"What is it?† Langdon asked. Sophie stared out at the chapel. â€Å"I think†¦ I've been here.† Langdon was surprised. â€Å"But you said you hadn't even heard of Rosslyn.† â€Å"I hadn't†¦Ã¢â‚¬  She scanned the sanctuary, looking uncertain. â€Å"My grandfather must have brought me here when I was very young. I don't know. It feels familiar.† As her eyes scanned the room, she began nodding with more certainty. â€Å"Yes.† She pointed to the front of the sanctuary. â€Å"Those two pillars†¦ I've seen them.† Langdon looked at the pair of intricately sculpted columns at the far end of the sanctuary. Their white lacework carvings seemed to smolder with a ruddy glow as the last of the day's sunlight streamed in through the west window. The pillars – positioned where the altar would normally stand – were an oddly matched pair. The pillar on the left was carved with simple, vertical lines, while the pillar on the right was embellished with an ornate, flowering spiral. Sophie was already moving toward them. Langdon hurried after her, and as they reached the pillars, Sophie was nodding with incredulity. â€Å"Yes, I'm positive I have seen these!† â€Å"I don't doubt you've seen them,† Langdon said,† but it wasn't necessarily here.† She turned. â€Å"What do you mean?† â€Å"These two pillars are the most duplicated architectural structures in history. Replicas exist all over the world.† â€Å"Replicas of Rosslyn?† She looked skeptical. â€Å"No. Of the pillars. Do you remember earlier that I mentioned Rosslyn itself is a copy of Solomon's Temple? Those two pillars are exact replicas of the two pillars that stood at the head of Solomon's Temple.† Langdon pointed to the pillar on the left. â€Å"That's called Boaz – or the Mason's Pillar. The other is called Jachin – or the Apprentice Pillar.† He paused. â€Å"In fact, virtually every Masonic temple in the world has two pillars like these.† Langdon had already explained to her about the Templars' powerful historic ties to the modern Masonic secret societies, whose primary degrees – Apprentice Freemason, Fellowcraft Freemason, and Master Mason – harked back to early Templar days. Sophie's grandfather's final verse made direct reference to the Master Masons who adorned Rosslyn with their carved artistic offerings. It also noted Rosslyn's central ceiling, which was covered with carvings of stars and planets. â€Å"I've never been in a Masonic temple,† Sophie said, still eyeing the pillars. â€Å"I am almost positive I saw these here.† She turned back into the chapel, as if looking for something else to jog her memory. The rest of the visitors were now leaving, and the young docent made his way across the chapel to them with a pleasant smile. He was a handsome young man in his late twenties, with a Scottish brogue and strawberry blond hair. â€Å"I'm about to close up for the day. May I help you find anything?† How about the Holy Grail? Langdon wanted to say. â€Å"The code,† Sophie blurted, in sudden revelation. â€Å"There's a code here!† The docent looked pleased by her enthusiasm. â€Å"Yes there is, ma'am.† â€Å"It's on the ceiling,† she said, turning to the right-hand wall. â€Å"Somewhere over†¦ there.† He smiled. â€Å"Not your first visit to Rosslyn, I see.† The code, Langdon thought. He had forgotten that little bit of lore. Among Rosslyn's numerous mysteries was a vaulted archway from which hundreds of stone blocks protruded, jutting down to form a bizarre multifaceted surface. Each block was carved with a symbol, seemingly at random, creating a cipher of unfathomable proportion. Some people believed the code revealed the entrance to the vault beneath the chapel. Others believed it told the true Grail legend. Not that it mattered – cryptographers had been trying for centuries to decipher its meaning. To this day the Rosslyn Trust offered a generous reward to anyone who could unveil the secret meaning, but the code remained a mystery. â€Å"I'd be happy to show†¦Ã¢â‚¬  The docent's voice trailed off. My first code, Sophie thought, moving alone, in a trance, toward the encoded archway. Having handed the rosewood box to Langdon, she could feel herself momentarily forgetting all about the Holy Grail, the Priory of Sion, and all the mysteries of the past day. When she arrived beneath the encoded ceiling and saw the symbols above her, the memories came flooding back. She was recalling her first visit here, and strangely, the memories conjured an unexpected sadness. She was a little girl†¦ a year or so after her family's death. Her grandfather had brought her to Scotland on a short vacation. They had come to see Rosslyn Chapel before going back to Paris. It was late evening, and the chapel was closed. But they were still inside. â€Å"Can we go home, Grand-pere?† Sophie begged, feeling tired. â€Å"Soon, dear, very soon.† His voice was melancholy. â€Å"I have one last thing I need to do here. How about if you wait in the car?† â€Å"You're doing another big person thing?† He nodded. â€Å"I'll be fast. I promise.† â€Å"Can I do the archway code again? That was fun.† â€Å"I don't know. I have to step outside. You won't be frightened in here alone?† â€Å"Of course not!† she said with a huff. â€Å"It's not even dark yet!† He smiled. â€Å"Very well then.† He led her over to the elaborate archway he had shown her earlier. Sophie immediately plopped down on the stone floor, lying on her back and staring up at the collage of puzzle pieces overhead. â€Å"I'm going to break this code before you get back!† â€Å"It's a race then.† He bent over, kissed her forehead, and walked to the nearby side door. â€Å"I'll be right outside. I'll leave the door open. If you need me, just call.† He exited into the soft evening light. Sophie lay there on the floor, gazing up at the code. Her eyes felt sleepy. After a few minutes, the symbols got fuzzy. And then they disappeared. When Sophie awoke, the floor felt cold. â€Å"Grand-pere?† There was no answer. Standing up, she brushed herself off. The side door was still open. The evening was getting darker. She walked outside and could see her grandfather standing on the porch of a nearby stone house directly behind the church. Her grandfather was talking quietly to a person barely visible inside the screened door. â€Å"Grand-pere?† she called. Her grandfather turned and waved, motioning for her to wait just a moment. Then, slowly, he said some final words to the person inside and blew a kiss toward the screened door. He came to her with tearful eyes. â€Å"Why are you crying, Grand-pere?† He picked her up and held her close. â€Å"Oh, Sophie, you and I have said good-bye to a lot of people this year. It's hard.† Sophie thought of the accident, of saying good-bye to her mother and father, her grandmother and baby brother. â€Å"Were you saying goodbye to another person?† â€Å"To a dear friend whom I love very much,† he replied, his voice heavy with emotion. â€Å"And I fear I will not see her again for a very long time.† Standing with the docent, Langdon had been scanning the chapel walls and feeling a rising wariness that a dead end might be looming. Sophie had wandered off to look at the code and left Langdon holding the rosewood box, which contained a Grail map that now appeared to be no help at all. Although Sauniere's poem clearly indicated Rosslyn, Langdon was not sure what to do now that they had arrived. The poem made reference to a ‘blade and chalice', which Langdon saw nowhere. The Holy Grail ‘neath ancient Roslin waits. The blade and chalice guarding o'er Her gates. Again Langdon sensed there remained some facet of this mystery yet to reveal itself. â€Å"I hate to pry,† the docent said, eyeing the rosewood box in Langdon's hands. â€Å"But this box†¦ might I ask where you got it?† Langdon gave a weary laugh. â€Å"That's an exceptionally long story.† The young man hesitated, his eyes on the box again. â€Å"It's the strangest thing – my grandmother has a box exactly like that – a jewelry box. Identical polished rosewood, same inlaid rose, even the hinges look the same.† Langdon knew the young man must be mistaken. If ever a box had been one of a kind, it was thisone – the box custom-made for the Priory keystone. â€Å"The two boxes may be similar but – â€Å" The side door closed loudly, drawing both of their gazes. Sophie had exited without a word and was now wandering down the bluff toward a fieldstone house nearby. Langdon stared after her. Where is she going? She had been acting strangely ever since they entered the building. He turned to the docent. â€Å"Do you know what that house is?† He nodded, also looking puzzled that Sophie was going down there. â€Å"That's the chapel rectory. The chapel curator lives there. She also happens to be the head of the Rosslyn Trust.† He paused. â€Å"And my grandmother.† â€Å"Your grandmother heads the Rosslyn Trust?† The young man nodded. â€Å"I live with her in the rectory and help keep up the chapel and give tours.† He shrugged. â€Å"I've lived here my whole life. My grandmother raised me in that house.† Concerned for Sophie, Langdon moved across the chapel toward the door to call out to her. He was only halfway there when he stopped short. Something the young man said just registered. My grandmother raised me. Langdon looked out at Sophie on the bluff, then down at the rosewood box in his hand. Impossible. Slowly, Langdon turned back to the young man. â€Å"You said your grandmother has a box like this one?† â€Å"Almost identical.† â€Å"Where did she get it?† â€Å"My grandfather made it for her. He died when I was a baby, but my grandmother still talks about him. She says he was a genius with his hands. He made all kinds of things.† Langdon glimpsed an unimaginable web of connections emerging. â€Å"You said your grandmother raised you. Do you mind my asking what happened to your parents?† The young man looked surprised. â€Å"They died when I was young.† He paused. â€Å"The same day as my grandfather.† Langdon's heart pounded. â€Å"In a car accident?† The docent recoiled, a look of bewilderment in his olive-green eyes. â€Å"Yes. In a car accident. My entire family died that day. I lost my grandfather, my parents, and†¦Ã¢â‚¬  He hesitated, glancing down at the floor. â€Å"And your sister,† Langdon said. Out on the bluff, the fieldstone house was exactly as Sophie remembered it. Night was falling now, and the house exuded a warm and inviting aura. The smell of bread wafted through the opened screened door, and a golden light shone in the windows. As Sophie approached, she could hear the quiet sounds of sobbing from within. Through the screened door, Sophie saw an elderly woman in the hallway. Her back was to the door, but Sophie could see she was crying. The woman had long, luxuriant, silver hair that conjured an unexpected wisp of memory. Feeling herself drawn closer, Sophie stepped onto the porch stairs. The woman was clutching a framed photograph of a man and touching her fingertips to his face with loving sadness. It was a face Sophie knew well. Grand-pere. The woman had obviously heard the sad news of his death last night. A board squeaked beneath Sophie's feet, and the woman turned slowly, her sad eyes finding Sophie's. Sophie wanted to run, but she stood transfixed. The woman's fervent gaze never wavered as she set down the photo and approached the screened door. An eternity seemed to pass as the two women stared at one another through the thin mesh. Then, like the slowly gathering swell of an ocean wave, the woman's visage transformed from one of uncertainty†¦ to disbelief†¦ to hope†¦ and finally, to cresting joy. Throwing open the door, she came out, reaching with soft hands, cradling Sophie's thunderstruck face. â€Å"Oh, dear child†¦ look at you!† Although Sophie did not recognize her, she knew who this woman was. She tried to speak but found she could not even breathe. â€Å"Sophie,† the woman sobbed, kissing her forehead. Sophie's words were a choked whisper. â€Å"But†¦ Grand-pere said you were†¦Ã¢â‚¬  â€Å"I know.† The woman placed her tender hands on Sophie's shoulders and gazed at her with familiar eyes. â€Å"Your grandfather and I were forced to say so many things. We did what we thought was right. I'm so sorry. It was for your own safety, princess.† Sophie heard her final word, and immediately thought of her grandfather, who had called her princess for so many years. The sound of his voice seemed to echo now in the ancient stones of Rosslyn, settling through the earth and reverberating in the unknown hollows below. The woman threw her arms around Sophie, the tears flowing faster. â€Å"Your grandfather wanted so badly to tell you everything. But things were difficult between you two. He tried so hard. There'sso much to explain. So very much to explain.† She kissed Sophie's forehead once again, then whispered in her ear. â€Å"No more secrets, princess. It's time you learn the truth about our family.† Sophie and her grandmother were seated on the porch stairs in a tearful hug when the young docent dashed across the lawn, his eyes shining with hope and disbelief. â€Å"Sophie?† Through her tears, Sophie nodded, standing. She did not know the young man's face, but as they embraced, she could feel the power of the blood coursing through his veins†¦ the blood she now understood they shared. When Langdon walked across the lawn to join them, Sophie could not imagine that only yesterday she had felt so alone in the world. And now, somehow, in this foreign place, in the company of three people she barely knew, she felt at last that she was home.

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The True Meaning Of Courage - 1527 Words

Anagha Math Period 4 Wednesday, December 7, 2016 The True Meaning of Courage â€Å"Success is not final, failure is not fatal: it is the courage to continue that counts.† ~ Winston Churchill. This quote defines what it is to be courageous, to be courageous is to persevere even if you know you will fail. This kind of courage is the courage which both Harold Crick in Stranger Than Fiction and Jean Louise â€Å"Scout† Finch in To Kill A Mockingbird. In Stranger Than Fiction, an IRS agent, Harold Crick, with a monotonous life learns that you must not only survive, but you must truly live. This lesson is taught through a series of events that lead to his breaking out of his shell and truly living his life. The events are preliminarily put into action through Harold hearing the voice of the author of a book about his life. In To Kill A Mockingbird, a tomboyish six-year-old, Jean Louise â€Å"Scout† Finch, discovers the true meaning of camaraderie and bravery. Her friendships are strong but her definition of courage is flawed. In the end, she realizes a great truth, that to really know someone, you have to imagine yourself in their shoes. Courage is important to these two characters, as they both discover what it really means to be brave and what the true definition of courage is. Courage is not always outspoken, sometimes courage is knowing that you will fail, but trying and failing anyway and then accepting your failure. Harold Crick starts to hear a female voice inShow MoreRelatedThe True Meaning of Courage1131 Words   |  4 Pages The True Meaning Of Courage â€Å"Courage is an inner resolution to go forward despite obstacles,† as once stated by the great civil rights activist Martin Luther King Jr. Whether it be standing up for what you believe in or just simply giving a speech in front of a class, courage is a significant trait that has benefitted mankind in many ways. In relevance to the novel To Kill a Mockingbird by Harper Lee, many characters show courage such as Atticus Finch, Mrs. Dubose, and Boo Radley by eitherRead MoreThe True Meaning of Courage1202 Words   |  5 Pagespeople define courage as a dangerous physical act to defend from others, but Atticus Finch shows it from a whole new different perspective. Atticus represents many types of courage and bravery in To Kill a Mockingbird. Atticus not only exemplifies a stern yet fair attitude towards Jem and Scout, but he also shows this mindset at the courtroom. He reveals bravery from the start of the novel, all the way to the finish. During the course of the nov el, Atticus displays many examples of courage. In theRead MoreEssay about Unarmed Bravery in To Kill a Mockingbird by Harper Lee729 Words   |  3 Pagesthe novel To Kill a Mockingbird by Harper Lee, Atticus believed that true bravery and courage is facing the negativities of life and society persistently, and by sticking to your belief no matter what the cost is. Jem and Mrs. Dubose are two characters that strongly apply to Atticus’s meaning of bravery and courage. Mrs. Dubose was a real brave woman in the eyes of Atticus. Atticus tried to teach his children the true meaning of bravery by setting her as an example. Mrs. Dubose struggled so hardRead MoreThe, The Mad Dog, By Harper Lee994 Words   |  4 Pagesthere are many different variations of the meaning of courage. In Harper Lee’s novel, â€Å"To Kill A Mockingbird,† true courage is defined in a person who fights for his or her beliefs even with the chance of losing the fight. The scene of Tim Johnson, the â€Å"mad dog† (Lee 93),is portrayed in the movie and is a foundation for the many lessons in life that Jem and Scout will soon learn in the future., such as what true bravery is. During the display of courage, the children experiences scene of prejudiceRead MoreThe Things They Carried By Tim O Brien1377 Words   |  6 PagesTyler Nooney Trafford P.6 The Things They Carried Essay The central theme and true meaning of courage is shown vividly in numerous instances throughout Tim O’Brien’s classic novel The Things They Carried. O’Brien’s novel begins with the courage of coming of age, along with the author’s loss of his innocence. Tim, the protagonist of this novel, goes through an incredible change in belief when he must choose to either run away from the Vietnam War or unwillingly join the bloody battle, of which heRead MoreMan and Masculinity1029 Words   |  5 Pagesandreia, literally meaning â€Å"manliness†. In truth, masculinity is a much deeper trait that can be viewed differently by a variety of people. Realistically, masculinity cannot be defined universally. A man who is considered masculine in France would most definitely not be considered masculine in the Middle East, simply because the cultures in those areas of the world are vastly different in their beliefs and social norms. This essay will not attempt to give masculinity a meaning across the globe, butRead MoreThe English Assessment Task For Kill A Mockingbird By Harper Lee1360 Words   |  6 Pageshis children the true meaning of courage, to protect the innocent and not to judge people before truly understanding their circumstances. Atticus illustrates to his children the reality of courageous actions through leading by example. Scout and Jem Finch believe that their father did not ‘do anything that could possibly arouse the admiration of anyone’. However, when Atticus shoots a rabid dog, in parallel demonstrating his firing abilities, the children are in awe of his ‘courage’. Succeeding thisRead MoreKill A Mockingbird By Harper Lee1442 Words   |  6 Pagesportrays the tragic, yet withstanding, struggles of those facing severe discrimination and challenges of character, which reveals a profound message about courage. Various aspects in To Kill A Mockingbird, such as the dialogue and actions of Atticus Finch, Mrs. Dubose, and Boo Radley, suggest that to do what is right, one a person s courage is shown not only through physical, but emotional and mental strength even when at a disadvantage so they can do what must be done. The novel is told throughRead MoreTo Kill a Mockingbird and The Help835 Words   |  3 PagesCompare how the theme of courage is explored in To Kill a Mockingbird and The Help? Mental and moral courage are different types of courage that are demonstrated in To Kill a Mockingbird, written by Harper Lee and The Help, directed by Tate Taylor. These can be compared and contrasted by sharing similarities and differences through dialogue, characterisation, plot techniques and the opinions through the eyes of different characters. These techniques are also used to help an audience understandRead MoreThis Essay Explains A Point Of View On The Meaning Of Life.1002 Words   |  5 PagesThis essay explains a point of view on the meaning of life. Though I believe there is no meaning, it does not suggest that we all should go off and die. We did not originally choose life, we were forced into this world without knowing. Humans live and they die and that is all. One life is so insignificant compared to the entire population of Earth- the trees, the animals, the oceans, the land and nature. However, rather than being too reckless and dying, humans have the primary inst inct to survive

Perception Of Death By William Shakespeare - 1613 Words

Perception of Death During the medieval period, a myriad of plays and literary works were produced concerning the theme of death. Each literary composition written during the medieval period had an intention to impact the audience. The following essay is a literary analysis of a morality play written by an unknown author in the 15th century, known as, Everyman. Likewise, the author uses allegory to reach its audience. Everyman is an ideology, which the author uses to examine a person’s spiritual relationship to God. The author will use the character death, to explore this relationship and the perception of death. Thus, impacting the audience to make a stand on his or her own spiritual preparedness and readiness for death. In the†¦show more content†¦Life I proffered the people great multitude of mercy, And few there be that asketh it heartily.* sincerely they be so cumbered* with wordly riches encumbered that needs on them I must do justice, on every man living withou t fear. Where art thou, Death, thou mighty messenger?† (267). The author forwardly proceeds to the introduction of Death, as a personified character. According to Britannica Academic, â€Å"Personification is a figure of speech, in which human characteristics are attributed to an abstract quality, animal, or inanimate object.† God will be personified through the character of death as a messenger. His main role is to question the readiness of death in the hero character, Everyman, of whom, exemplifies the absence of a spiritual relationship: causing no fear of physical death. Everyman who is busy living his life and following his own path is suddenly faced with the reality his time of death is near. Through his personified character, death, will work as God’s agent to help Everyman confront dying and his awareness of eternal life. As the author continues and the audience engages in the conversation of death and Everyman, one would assume that Everyman’s perception of life is labeled as a protagonist. According to Philip Roth , a protagonist is â€Å"someone who works hard, marries,Show MoreRelatedWilliam Shakespeare s Much Ado About Nothing1285 Words   |  6 PagesMuch Ado About Nothing, is a comedic play by William Shakespeare thought to have been written in 1598 and 1599, as Shakespeare was approaching the middle of his career. (Wikipedia) This timeless play is generally considered one of Shakespeare’s best comedies, because it combines a cheerful mood with an intricate series of deceptions and miscommunications. It’s known for its hilarity, honor, shame and court politics. Shakespeare depicts different kinds of loving relationships- romantic love, familyRead MoreComparing The Novel Atonement By Ian Mcewan And The Play Hamlet By William Shakespeare1428 Words   |  6 PagesMany writers aim to identify the similar and contrasting features of their characters in order to addresses varying issues within the texts. These issues within the text In the novel Atonement by Ian McEwan and the play Hamlet by William Shakespeare, the writers’ use of juxtaposition is used to accomplish a more profound understanding of the internal relationships of the characters and external relationships with the other characters in the texts. Essentially, through the use of juxtaposition, bothRead MoreHamlet, By William Shakespeare Essay1453 Words   |  6 PagesHamlet by William Shakespeare explores many aspects of mankind--death, betrayal, love, and mourning. Out of these, the most prominent theme in this play is death in the form of suicide. The main character, Hamlet, finds himself questioning the quality of life and the uncertainty of the afterlife once he discovers news of his father s death and the corruption in the kingdom that follows. Ophelia, Hamlet’s lover, is found dead later in the plot and is presumed to have committed suicide. In Hamlet’sRead MoreEssay about The Shakespeare Authorship Debate1632 Words   |  7 PagesThe Shakespeare Authorship Debate Although William Shakespeare is considered to be one of the most revered and well-renowned authors of all time, controversy surrounds the belief that he actually produced his own literary works. Some rumors even go so far as to question the reality of such a one, William Shakespeare, brought on by paralleling the quality of his pieces with his personal background and education. With such farfetched allegations, it persuaded others to peek into the person we allRead MoreMuch Ado About Nothing Essay928 Words   |  4 PagesThe play Much Ado About Nothing by William Shakespeare consists of many themes which grow out of the ‘game of love. The two main themes consist of perception and deception. Through the plot complications, character development and dramatic techniques these themes can be explored. In the play deception is shown on both good and evil sides, the game of love between Beatrice and Benedick and the Don John plot to split up Hero and Claudio. Perception is a theme us ed in most of Shakespeares plays.Read MoreThe Flea By William Shakespeare, Emily Dickinson, And John Donne1521 Words   |  7 Pagespoets like William Shakespeare, Emily Dickinson, and John Donne. William Shakespeare is credited to be a wordsmith ahead of his time for crafting some of the most well known works in literature, Emily Dickinson is considered one of America’s leading female poets of the 1800s, and John Donne is recognized as one of the leading members of the metaphysical movement. Even so, their work spoke out on religion, love, death, and anything concerning society’s implication on the established perception of theRead MoreThe Plays of William Shakespeare681 Words   |  3 PagesShakespeare’s Plays William Shakespeare, a British playwright and poet, is born in 1564. The exact day is not known. Shakespeare is baptized on April 25, so they say his birthday is April 23, 1564 (Boyce, Shakespeare). As an infant, he survives the plague that kills tons of people living near him. He is the son of John and Mary Arden Shakespeare. â€Å"His father is a prosperous and prominent tradesman, bailiff, and alderman, who suffered a decline in fortune and prestige† (Burt, Shakespeare). His father ranRead MoreMacbeth and Picture of Dorian Gray Essay1821 Words   |  6 Pagescontrolling Macbeth and men like they are her puppets, Shakespeare tries to highlight that this is wrong and inturn she dies after going crazy. Macbeth feeds on ambition and he becomes very powerful, but becomes tarnished and loses everything and dies. Thesis: Values affect the induction of a Faustian Bargain. Ideology identifies with humanity as well as Appearance versus Reality The corrupting power of unnatural greed manipulates individual perceptions (and stimulates the Faustian Bargain.) Draft: ManipulationRead More Portayal of the King in Shakespeares Tragedy of Hamlet1406 Words   |  6 PagesAnalysis of Shakespeare During Elizabethan times, the survival and longevity of the king or queen was essential for the subjects of the kingdom. The monarchy unified the kingdom, saw to its prosperity, and protected its subjects from foreign invasion. The king was the most important person within the kingdom and without him the kingdom would collapse. Shakespeare echoes this thought back to his audience in The Tragedy of Hamlet, Prince of Denmark, Act 3, Scene3, lines 11 through 23Read More The Many Faces of Hamlet Essay1597 Words   |  7 PagesThe Many Faces of Hamlet         Ã‚  Ã‚  Of all the characters in the play, Hamlet by William Shakespeare, the character of Hamlet is without a doubt the most complex. His emotions are never stable, his feelings are constantly changing, and his behavior is confusing and inconsistent. Hamlet is described as a half a dozen characters rolled into one (Shaw 344) and with as many adjectives in one sentence as cruel, angry, tender, depressed, clownish, manic, and filled with loathing for women, humanity