Effects of Basel II Accord on Qatar’s Banking Sector

The Analysis †Amazing Grace

The Analysis †Amazing Grace Kiel Carino ENG 125 Professor Olabisi Adenekan October 29, 2012 The Analysis †Amazing Grace The verse â€Å"Amazing Grace† by John Newton is one of the most renowned sonnets at any point composed and formed. â€Å"Amazing Grace† has been especially persuasive and has influenced lives since it was composed. The reasons why â€Å"Amazing Grace† is compelling are for similar reasons why I discovered this sonnet extremely fascinating and locks in. The artistic components that credited to the poem’s quality and significance are its structure, substance, and tone.These components are what make â€Å"Amazing Grace† such a significant and huge bit of verse ever. The type of the sonnet â€Å"Amazing Grace† is not the same as other writing readings from the book. â€Å"Amazing Grace† is an exceptional sort of writing; a sonnet in a type of a tune. â€Å"A psalm is a verse sonnet or hallowed melody which is written in commendation to a god or spirit† (Wheeler, 2012). This kind of artistic structure is engaging peruse and hear. The sonnet wakes up as it is being played.This sort of scholarly structure has a favorable position over different kinds because of the sonnet is being created explicitly to be heard, not read. The substance of â€Å"Amazing Grace† are overwhelmingly amazing. In the main section, John Newton utilized words to depict what his identity was and how a specific sound transformed him. â€Å"Amazing effortlessness! How sweet the sound,/That spared a knave like me! /I used to be lost yet now am found,/Was visually impaired, yet now I see. † (refered to in Clugston, 2010). In this section, Newton utilized words such a miscreant to depict himself.He additionally expressed that he was lost, however the sweet stable helped him and guided him to see, which to me implied that he started to separate among good and bad. In the fourth passage, John Newton by a nd by utilized solid words to enrapture its crowd by telling the perusers where he remains with his confidence. â€Å"The ruler has guaranteed great to me;/His statement trust makes sure about;/He will my shield and bit be,/As long as life endures† (refered to in Clugston, 2010). Newton expressed in this passage that he will keep up his confidence with the Lord.The Lord guaranteed him beneficial things and he will be everlastingly thankful. I accept that this sonnet is a short personal history of John Newton and how his life was changed until the end of time. The substance of this sonnet are solid and as an individual of confidence, perusing a sonnet of this gauge reinforced by convictions. The substance kept me appended and urged me to maintain perusing in control to discover progressively about John Newton’s life and how he was profoundly spared. The tone of â€Å"Amazing Grace† was exceptionally moderate and efficient. As expressed before, I accept this sonne t is a short life account of the creator and it originated from the heart.The creator appeared as though he was spilling his guts as he composed this sonnet. â€Å"Through numerous risks, works, and catches/I have just come;/‘Tis elegance that brought me safe so far,/and beauty will lead me home† (refered to in Clugston, 2010). In this section, he expressed that he has experienced numerous preliminaries throughout his life, yet he has beaten the entirety of this through his confidence and this confidence of his will help with conquering what preliminaries lie ahead. In the wake of perusing this sonnet, I leaned to the sound adaptation and the sound variant upgraded its meaning.The moderate and dismal tone of this sonnet charitably delineated John Newton’s battles, preceding being spared profoundly. The sonnet â€Å"Amazing Grace† by John Newton is one of the most renowned sonnets at any point composed and created. â€Å"Amazing Grace† has been espec ially powerful and has influenced lives since it was composed. The reasons why â€Å"Amazing Grace† is compelling are for similar reasons why I discovered this sonnet fascinating and locks in. The abstract components that ascribed to the poem’s quality and significance are its structure, substance, and tone.These components are what make â€Å"Amazing Grace† such a significant and huge bit of verse ever. By joining the structure, substance, and the tone, John Newton delightfully made a magnum opus that will persistently influence individuals for a considerable length of time to come. Reference: Clugston, R. W. (2010). Excursion into writing. San Diego, California: Bridgepoint Education, Inc. Wheeler, D. L. K. (2012). Scholarly terms and definition. Recovered on October 25, 2012 from http://web. cn. edu/kwheeler/lit_terms_H. html

An Easy Introduction to Nonfiction The Essay

An Easy Introduction to Nonfiction The Essay One of my reading goals for this year was to read an essay every single day. Reading essays both online and in collections has helped remind me about all the great, short nonfiction there is out there. And, I think were living in a particularly robust time for long-form writing, which makes it easy for  readers that are tentative about trying nonfiction to find something to enjoy. Good old Merriam-Webster defines an essay as “an analytic or interpretative literary composition usually dealing with its subject from a limited or personal point of view.” While that’s a pretty clinical definition, it does get at the idea that an essay is both literary and limited, but doesn’t go on to dictate subject or specific style (other than “literary,” but that basically doesn’t mean anything literary fiction, anyone?). I’ve been interpreting the idea of an essay pretty broadly, everything from Katy Butler’s incredibly beautiful piece in the New York Times Magazine, “What Broke My Father’s Heart,” to a sports story about Tom Brady’s first hour after losing the Super Bowl on Sunday with a particularly lovely sense of structure. If you’re into some very, very recent writing, there are two stories, just published, about the exotic animal shootings in Zanesville, Ohio last year that are must reads “Animals” by Chris Jones in Esquire and “18 Tigers, 17 Lions, 8 Bears, 3 Cougars, 2 Wolves, 1 Baboon, 1 Macaque, and 1 Man Dead in Ohio” by Chris Heath in GQ. And then you could read about the story trailer that Esquire made and  how the Internet is disrupting the traditional magazine publishing cycle. I’m fascinated. And a total dork. Anyway, if youre interested in exploring some of todays best narrative nonfiction, I have three websites to suggest: Longform: Longform.org is a website that collects old and new nonfiction articles from across the Internet that are “too long and too interesting to be read on a web browser.” The site is set up to easily work with read later services like Instapaper or Read It Later, and just recently launched an iPad app. I love the variety that comes from this site. I find a new essay to read almost every day. Byliner:  Byliner.com is a little more in-depth than Longform. The site is a publishing company and social network that centers around narrative stories. The site publishes original pieces, Byliner Originals, that are typically between 10,000 to 35,000 words that are available to purchase digitally. The site also collects narrative journalism from around the web that can be sorted by topic or author. Nieman Storyboard: If you’re a bit of a narrative nonfiction wonk, Nieman Storyboard is the blog to check out. A project of the Nieman Foundation for Journalism at Harvard University, the site looks into storytelling across mediums and offers a place for conversation about how long-form writing is changing in the digital age. I’ve read some fantastic author interviews (this one with Rebecca Skloot, author of The Immortal Life of Henrietta Lacks, is awesome), and I love the way they dissect contemporary writing to see how it works. If youre the kind of reader that feels intimidated by book-length nonfiction, the essay can be a great way to ease into the genre. Do you have any favorite essays or long-form journalism sources (books or websites) to share? Sign up for True Story to receive nonfiction news, new releases, and must-read forthcoming titles.

How I Changed My Life - 978 Words

Old man Mr. Youssef changed my life forever when he introduced me to electronic engineering. His knowledge, confidence, enthusiasm, and character was unique enough for others to mirror. He knew how to dance salsa with the heavily populated Hispanic population of my high school. He smoked cigars and stank of cigarettes, but the young men and women in the classroom were blinded by the smell. Moreover, this 6 foot 5 inch giant made a difference in my life by molding me into a perspective student who now has a dream of becoming an engineer. Furthermore, Mr. Said Youssef was broad, had a disgustingly potent smell, and looked so dirty stray dogs would frown upon him. He was also close to 350 pounds, which made his walk obnoxious and disturbing. However, everyone loved him because of his passion for education and his leadership skills. 80 students trailed along his rainbow of knowledge, following him into a deep hole of thinking that one must beg to leave. This deep pit of thinking was his classroom. Students in my high school called it the â€Å"Youssemporium.† Critical thinking and insight of student’s careers originated here. Everyone loved it. Whenever I entered his classroom throughout my 10th grade academic year, Mr. Youssef gave me a hard look. His look was mean, dirty, yet thoughtful. He also had a strong body odor, projecting him as different. In other words, he was very different from what the New York City Department of Education (NYCDOE) wanted him to be. My ignoranceShow MoreRelatedHow I Changed My Life757 Words   |  4 PagesThis semester has been a transition. I changed from a junior college to a university. My classes shifted from pre-requisites to classes pertaining to my major. I have also escaped the dorm life and moved into an apartment. All this change has come with bountiful knowledge. I have had many learning experiences, both social and academic. This year has been a growing experience. I have worked on developing as a st udent and broadening my relationships. My semester starting off by moving intoRead MoreHow I Changed My Life1663 Words   |  7 Pages ocker that I now crumble against. As soon as our eyes met, I knew my life would be changed forever. He knew too by the small smile he returned to me. Being with Jacob was like spring. Everything was so new and exciting. We had no idea what was going to come, uncertainty was around us all the time, but we knew that just being with each other made us happier than anything we had ever felt before. Every day I woke up with him on my mind, and I couldn’t wait to get up and get to see him. One of theRead MoreHow I Changed My Life800 Words   |  4 PagesWhen I first applied to college I only did so because I knew I needed a place to live. I could not stay at my home and college seemed to be the best option. I had no idea what I actually wanted to do with my life. I ended up switching my major every semester trying to figure out what I wanted to actually major in. In the end I got my associates of arts, but still had absolutely no idea on where I was going in life. I first starting thinking about going into psychology when I worked in retail. TheRead MoreHow I Changed My Life908 Words   |  4 PagesThroughout my life I ve gone through many obstacles, up and downs, and changes that could more than likely affect me forever. Looking back to this time last year I can say I am not the same person I was. I can say around this time last year I was very content with how things were in my life. I felt things were going to happen the way they did, and that was just how it was going to be. I had a little self motivation but it was not enough to where I could actually believe myself. There were timesRead MoreHow I Changed My Life864 Words   |  4 Pagesthat I coincidentally changed my mind. It was the day that we were in touch. As unexpected as it felt for you it felt just as unexpected for me. We recalled how the timing just seemed so crazy. Who would have known? I kept thinking of â€Å"school and work†. I kept thinking of how I seemed content. I even thought about how I didn’t plan to even date anytime soon. Little did I know I was wrong. It’s funny how that worked out. The timing was during one of the toughest times of my life. For a while I wasRead MoreHow I Changed My Life855 Words   |  4 Pagesmuch in their life. Many people are convinced that they can’t be great or can’t achieve greatness in their life. However I believe that anyone can change his or her life for the better and obtain a successful and fruitful life. In this essay I am going to talk about how I changed my life from an overweight teen with no ambition to a relatively fit adult with a passion. It all started ever since I was a little boy, about 12 years old. I used to eat a lot of food; you might even say I was addictedRead MoreHow I Changed My Life771 Words   |  4 Pageswasn’t something that I was familiar with throughout my life. However, now that I know the basics of sociology, I can identify the various ways to study behaviors. These forces have molded who I have become as a person and how I interact with society. Understanding how I have been affected by my immediate surroundings is a significant part of a better understanding how I have been changed by the greater society. All through this semester, I have begun to reminisce back on my life and pull apart theRead MoreHow I Changed My Life949 Words   |  4 PagesMe† – â€Å"Unblock Me† – â€Å"Unblock Me.† This is how I have paralleled my life – to a popular app called â€Å"Unblock Me†. The main objective of this game is to clear a path for a red block by sliding the other blocks out of the way, all while moving as little as possible to achieve the highest score. Although moving as little as possible could get one the highest score, the game allows one to move as much as needed. I played this game often as a child. Back then, I only understood the purpose of the game asRead MoreHow I Changed My Life806 Words   |  4 PagesI fell in love the way you fall asleep: slowly, and then all at once. I don’t really know when it exactly happened, but somewhere in between our intense eye contact and wiping my tears away as my walls came down that I spent years crafting, I crashed into you fully and never looked back.    My heart was unguarded, and I gave you all of me. We didn’t just hang out. We played. Our souls were alive - we were like two little kids again seeing the world for the first time - being with you multipliedRead MoreHow I Changed My Life1091 Words   |  5 PagesI was raised up in a family, which has Islamic values and principals. My Father was strict for two reasons. He used to work in the Police department and I was the only boy child. I grow up with four sisters, which made me feel lonely. However, this encouraged me to be a very social person. About my Mother, she is the source of warmth and kindness in my life in a way that created a good balance in my life. She also played a great role to shape my personality. For example, she always motivated me

How to Read a Roman Portrait - 3451 Words

How†©to†©Read†©a†©Roman†©Portrait†© SHELDON†©NODELMAN†© from†© E.†©D’Ambra,†©ed.,†©Roman†©Art†©in†©Context.†©NY:†©Prentice†©Hall.†©1993†©pp.†©10†20†© Like all works of art. the portrait is a system of signs; it is often an ideogram of â€Å"public’ meanings condensed into the image of a human face. Roman portrait sculpture from the Republic through the late Empire-the second century BCE. to the sixth CE -constitutes what is surely the most remarkable body of portrait art ever created. Its shifting montage of abstractions from human appearance and character forms a language in which the history of a whole society can be read. Beginning in the first century B.C., Roman artists invented a new kind of portraiture, as unlike that of the great tradition of Greek†¦show more content†¦The emphasis accorded these contingencies of physiognomy and the resolute refusal of any concession to our - or, so it would appear, ant iquity’s - ideas of desirable physical appearance lead one easily to the conclusion that those portraits are uncompromising attempts to transcribe into plastic form the reality of what is seen, innocent of any â€Å"idealization† or programmatic bias. These are the portraits of the conservative nobility (and of their middle-class emulators) (luring the death-agonies of the Roman republic. There is no need to doubt that much of their character refers to quite real qualities of their subjects. These are men in later life because the carefully prescribed ladder of public office normally allowed those who followed it to attain only gradually and after many years to such eminence as would allow the signal honor of a public statue. One may well suppose that these hard-bitten and rather unimaginative faces closely reflect the prevailing temperament of the class and society to which they belong, and the twisted andShow MoreRelatedRoman Portraiture1235 Words   |  5 Pagesï » ¿ Roman Portraiture The Romans practiced the art of capturing an image of a person, otherwise known as Roman portraiture, which is a significant period in the field of portrait art. This practice continued for almost five centuries starting from Ancient Rome. It can be seen that during this period, portraits spoke a lot about a specific person thus it became an integral part of society. The way one was depicted through portraiture became very important for the Romans as it reflected not only themRead MoreHigh Renaissance Painting In Florence And Environs, 1490-1550.1403 Words   |  6 Pagesof the color harmonization’s, and reason behind each detail drawn in a portrait or made in a sculpture. Symmetry, geometry and color coordination were revolutionized in portraits and paintings by famous artist like Leonardo da Vinci, Michelangelo, and Raphael which is momentous. These three individuals played an enormous role during the Renaissance with their artistic work. The west building, known as the e difice had a roman traditional classical style, but built with modern technology, thus to catchRead MoreA Study Of Religion Through The Lens Of Mary Daly And Gayatri Spivak1371 Words   |  6 PagesOctober 18, 2014 Word Count: 1300 Rikza Mazhar: culture Christ The king Roman Catholic Church Yara Abuhudra: gender 3495 Confederation Parkway, Mississauga, ON L5B 3G5 Recently, I have been interested in a multitude of religions and their devotees, specifically in Christianity as it is widespread in many western societies. My colleague and I attended Christ The King Roman Catholic Church, where I set my focus on forms of patriarchy that were present inRead MorePicturing The Bible By Spier J. Art Museum, Fort Worth1007 Words   |  5 Pagesthroughout the third century A.D. Christianity slowly emerged becoming the religion of the Roman Empire. This book is based on Christianity and how the religion was viewed through images. The text has an ere of concepts that ties in the concepts of Christians to the beginning of the start of Christianity. The purpose of this book is to show the readers the difference between how Christian art was represented and how other art was portrayed. I will be giving an overview of what Christianity representsRead MoreRococo Art in Europe and America Essay1123 Words   |  5 Pageslofty, high, and scientific, art should be beautiful works of cleverness. Man was confident in himself; women were striving to be independent, a trait that shone through many female pieces such as Labille-Guiard’s Self Portrait with Two Pupils (26-16) and Vigee-Lebrun’s Self Portrait (26-15). As an age of revolutions, ideas ran rampant through people’s minds. Compared with Baroque art, Rococo art featured people in almost every single painting, sculpture or picture. Though this era was a timeRead MoreThe Renaissance in Europe1068 Words   |  5 Pagesand this is how humanism began to rise. The humanists who studied the humanity such as grammar, rhetoric, poetry, moral philosophy or ethics, and history are all based on ancient Greek and Roman authors. Humanism would not deny the existence of God because they also were close to the Catholic Church. There are two major factors for the rise of humanism. First, after the decline of Rome the Italian scholars were fascinated by the sources found in Rome that this led them to find more Roman writings.Read More Roman and Greek Philosophys Influence on Todays Western Culture780 Words   |  4 Pagesimpermanence, while the Greek Logos resembles the way of the Tao, just to name two examples. More detailed portraits of Greek ideas and their contenders can be found on the following pages, so read o n and find out more about them. When Julius Caesar was assassinated in 44 bc, that ended the strong Roman Republic. His adopted heir, calling himself Augustus Caesar, became first emperor. 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Website Development on Product Price Free Essays

Elements Determination Sample Preparation Conclusion _ Recommendations The problem of getting exact price information on several stores is quite a big concern towards middle income citizen, and much for lower, especially during the economic crisis which caused the increase of goods price as a whole. The presence of big retail stores drowns the smaller stores in terms of discount, advertising, and convenience of the building. But actually the price is more or less the same or the price at smaller stores and eventually cheaper than the big retail stores. We will write a custom essay sample on Website Development on Product Price or any similar topic only for you Order Now Small retail tores seem to be camouflaged by big company, and at the end of the day, the small stores will shut down. On the other hand, people who really concern about money, everything to purchase needs to be calculated precisely, so that they do not over budget. The above phenomenon seems to cause this group of people having no choice, but to purchase at the so-called big convenience store at higher price. Besides, those who are more energetic, they might visit one store to another, Just to do the price comparison. Thus, this study provides solution by developing website on goods price and information from several retail stores. This will be done by gathering and publishing price information from participated retail stores in selected area into the integrated service broker website. This website will act as a service broker by connecting the businesses with the people. This study believes that by providing information of goods to the people through website, this will make people’s life easier and effective, and cost saving. How to cite Website Development on Product Price, Papers

The Comparison of The Red Room and The Cask OF Amontillado Essay Example For Students

The Comparison of The Red Room and The Cask OF Amontillado Essay The Red Room, which is written by H. G. Wells, is a totally different gothic story from The Cask of Amontillado by Edgar Allen Poe. The Red Room is about an arrogant man who thinks that he can brave a night in the sinister red room, however the red room is haunted by some unknown being. Whereas The Cask of Amontillado shows a man called Montressor who swears to get revenge on his persistent tormentor, Fortunato. He gets this revenge on Fortunato via locking him inside a dead-end passageway. He chains Fortunato to a wall and seals the passage with another wall. We will write a custom essay on The Comparison of The Red Room and The Cask OF Amontillado specifically for you for only $16.38 $13.9/page Order now This makes the confinement of the place where Fortunato is sealed, airtight. An insight into Montressors twisted mind is shown to the audience by the extreme way in which he murders Fortunato. Both stories however, use key gothic elements such as nightly settings, dark rooms covered in dust or damp, subterranean passages and the absence of light as well as the narrative genre in order to achieve an interesting and invigorating story. In The Red Room the narrator creates tension and suspense by using time stretching to tell the story and allowing the readers imagination to wonder about what the unknown being is. While in The Cask of Amontillado Edgar Allen Poe uses the stream of consciousness to tell the story and allows the reader to know what happens in advance but doesnt allow them to know the severity of what will happen. The openings of both stories are totally different which create a totally different attitude for the reader. The Red Room starts mid conversation I can assure you this allows the audience to feel as if they are stepping into someones life. In the first sentence the reader can assume that the narrator is talking to them and the fact that it will take a very tangible ghost to frighten him shows the genre of story that it is other than narrative. It also introduces you to the essential theme of fear, without fear a Gothic story is not of the Gothic genre. The theme is also reinforced with repetition of its your own choosing and this haunted room The 1st person narration shows how confident the narrator is as well as his arrogance to the warnings given by the custodians in the story. His arrogance to the persistent warnings from the custodians shows that he feels they are too old or too superstitious to realise what they are talking about. This helps the story to move on and gives the narrator a motive to go into the red room and allows the reader to get into the story and feel for the character, as well as allowing them to keep guessing and adds to the other theme of suspense. The setting is established early on in the story with the night, a fire and a castle mentioned. The absence of the description of light creates a spooky atmosphere for the reader to imagine. The custodians in the story are described as slightly deformed pale eyes wide open , the man with the withered arm and hung pale and pink from his decaying teeth. This helps the audience to understand the narrators arrogance because of the way the custodians look as well as the allowing them to be afraid before the story has reached its climax. This is a very good technique that H. G. Wells implants, to make his work just that bit more exciting. Unlike Edgar Allen Poe, who writes to inform the reader as to what happens first and then as to how it happened. The warnings that the custodians provide help foreshadow what might happen in the latter part of the story. This night of all nights shows the reader that something even worse will happen to the narrator due to the fact that he is going on that particular night. .u541da438e312f89176441096337a8f1d , .u541da438e312f89176441096337a8f1d .postImageUrl , .u541da438e312f89176441096337a8f1d .centered-text-area { min-height: 80px; position: relative; } .u541da438e312f89176441096337a8f1d , .u541da438e312f89176441096337a8f1d:hover , .u541da438e312f89176441096337a8f1d:visited , .u541da438e312f89176441096337a8f1d:active { border:0!important; } .u541da438e312f89176441096337a8f1d .clearfix:after { content: ""; display: table; clear: both; } .u541da438e312f89176441096337a8f1d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u541da438e312f89176441096337a8f1d:active , .u541da438e312f89176441096337a8f1d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u541da438e312f89176441096337a8f1d .centered-text-area { width: 100%; position: relative ; } .u541da438e312f89176441096337a8f1d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u541da438e312f89176441096337a8f1d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u541da438e312f89176441096337a8f1d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u541da438e312f89176441096337a8f1d:hover .ctaButton { background-color: #34495E!important; } .u541da438e312f89176441096337a8f1d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u541da438e312f89176441096337a8f1d .u541da438e312f89176441096337a8f1d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u541da438e312f89176441096337a8f1d:after { content: ""; display: block; clear: both; } READ: Dr Jekyll and Mr Hyde EssayThe sentence structure leading up to the peak in fear and suspense is long-winded such as with a cry he bedroom candlestick. The ending being in daylight gives the audience the effect of relief. It allows them to realise that the ordeal is truly over. Whereas in the beginning of The Cask Of Amontillado the narrator, Montressor tries to justify his crime, by telling the reader the reason why he killed Fortunato, The thousand injuries of Fortunato I had borne as I best could This shows that the little remorse or guilt that he might have, slowly distinguished by the end of the story. This remorse comes across subtler to the reader as if Montressor is slightly guilty ofhis crime. He also tells the reader that It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. However towards the end of the story he shows even more irony towards his victims untimely death. Writing the story in the first person through the eyes of the narrator allows the readers a different insight into the death of Fortunato. Edgar Allen Poe, uses irony and foreshadowing to a great extent as well as using it creatively and effectively, for instance when Fortunato says, the coughs a mere nothing; it will not kill me shows that Fortunato has no clue of what is about to happen even though Montressor drops hints such as True -true This keeps the readers interest as to how Fortunato will be killed because he shall not die of a cough. Edgar Allen Poe allows the audience to feel that there is a big rivalry between Montressor and Fortunato. Montressor tells the audience that he was skilful in the Italian vintages as well as Fortunato was in the matter of old wines he was sincere. This shows that they are competitive men because Montressor b largely whenever could. This rivalry creates conflict and tension. The fact that Montressor wants to seek Luchesi to find out about the Amontillado urges Fortunato despite his respiratory problems and his drunkenness shows that Fortunato has a great passion for sherry. He repeats twice that Luchesi cannot tell Amontillado from Sherry. Which shows that Fortunato thinks highly of himself as well as he looks down on Luchesi even though some fools will have it that his taste is a match for yours. Montressor uses this as a bait to get Fortunato to come with him. This shows that Montressor is revealing Fortunatos arrogance to the audience. The sentence structure towards the end of the story is short and less varied compared to other parts of the story this is to help create tension and suspense by making the reader read faster and realise how Montressor is feeling. The ending being in Latin shows Allen Poes ability to be able to keep the reader interested until the end. Most readers will not know what the Latin means which means that the story will stay in their mind because they will be curious as to what it means. The Latin however, is ironic because he wishes Fortunatos bones to rest in peace. The setting of both stories is very typical of a Gothic story due to the fact that they contain key gothic elements such as subterranean passages and spiral staircases as well as the most important element of darkness. The absence of light in both stories creates tension fear and suspense. The description of the house in The Red Room given by the narrator, deep-toned, old fashioned shows that the house is apart from the rest of the world and that it is dilapidated He also describes the inhabitants as seem to belong to another age. Whereas, the catacombs in The Cask of Amontillado show that there is no way back for Fortunato as he goes deeper and deeper inside despite all the numerous offers made by Montressor. .ua57a1165df88185fcbce2d574f4fe709 , .ua57a1165df88185fcbce2d574f4fe709 .postImageUrl , .ua57a1165df88185fcbce2d574f4fe709 .centered-text-area { min-height: 80px; position: relative; } .ua57a1165df88185fcbce2d574f4fe709 , .ua57a1165df88185fcbce2d574f4fe709:hover , .ua57a1165df88185fcbce2d574f4fe709:visited , .ua57a1165df88185fcbce2d574f4fe709:active { border:0!important; } .ua57a1165df88185fcbce2d574f4fe709 .clearfix:after { content: ""; display: table; clear: both; } .ua57a1165df88185fcbce2d574f4fe709 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ua57a1165df88185fcbce2d574f4fe709:active , .ua57a1165df88185fcbce2d574f4fe709:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ua57a1165df88185fcbce2d574f4fe709 .centered-text-area { width: 100%; position: relative ; } .ua57a1165df88185fcbce2d574f4fe709 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ua57a1165df88185fcbce2d574f4fe709 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ua57a1165df88185fcbce2d574f4fe709 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ua57a1165df88185fcbce2d574f4fe709:hover .ctaButton { background-color: #34495E!important; } .ua57a1165df88185fcbce2d574f4fe709 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ua57a1165df88185fcbce2d574f4fe709 .ua57a1165df88185fcbce2d574f4fe709-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ua57a1165df88185fcbce2d574f4fe709:after { content: ""; display: block; clear: both; } READ: Irony: incongruity between the actual result of a sequence of events and the expected results EssayCome we will go back. By saying this Montressor encourages Fortunato to press on despite the hindrances he has to face like his cough. Montressor knows he will continue to press on because of Fortunatos arrogance. The language is fairly straightforward for a society of today to understand however, the language in The Cask of Amontillado is a bit more challenging for younger readers to understand due the language being directed at a Victorian audience. The sentence structure is also slightly different but it is more noticeable in The Red Room for instance where a lady says eight-and-twenty years instead of twenty-eight years old. The vocabulary in both is very vivid and broad, words which come from the Victorian era such as impunity and penumbra, are not so widely used today. The Cask of Amontillado describes its characters a lot more than The Red Room does, we are told that Fortunato dresses in tight fitting parti-striped dress, which is not a dress you would normally see today. The fact that Fortunato is dressed in a party dress shows the irony and Victorian background in the story and also accompanies Fortunatos drunken mood. The physical features of the people are described in The Red Room, which help provide a more fearsome atmosphere. The man with the withered arm helps the reader to realise that the narrator is nothing like the senior citizens in the house as well as allowing the reader to slightly fear the custodians. Both stories use darkness and fear extremely well, in building up the sense of enclosed darkness and the sense of being alone. The Red Room talks about thrusting his arms out to the ponderous darkness away from the narrator. This allows the reader to visualise the enclosing darkness and possibilities of what might be in it. The Cask of Amontillado allows the reader to sympathise with Fortunato as Montressor seals him off from the rest of the world this also creates suspense and tension. Montressor also seals off all the light and allows the darkness to creep in on Fortunato; this again creates a sense of fear and crucial suspense. Both stories use gothic story themes a lot. Themes such as the subterranean passages and spiral staircases are used to great effect in both stories. The use of the Catacombs (subterranean passages) in The Cask Of Amontillado helps the reader to realise that where Fortunato will be killed is far away from where anyone would find him. It is also ironic that he is murdered in a burial chamber for the dead. The use of a spiral staircase in The Red Room also allows the reader to feel tense and nervous due to the fact that the narrator cannot see around the corner or who is at the top of the stairs until he gets there. In conclusion both stories are written in great ways and achieve the same thing with the Red Rooms lack of description about what was in the penumbra allows the reader to think of something that could lure in the dark and what they are scared of. Whereas the vivid description of the dark catacombs filled with Nitre allows the reader to feel claustrophobic and understand Fortunatos pain and suffering being locked in the catacombs.

Government Censorship Essays - Content-control Software, Free Essays

Government Censorship Essays - Content-control Software, Free Essays Government Censorship Thesis: Government Censorship would damage the atmosphere of the freedom to express ideas on the Internet; therefore, government should not encourage censorship. Introduction I. In the Internet community, there is a large volume of technical terms. For this reason, it is first necessary to examine the terminology specific to Internet. 1.The internet is a world wide computer network. 1.Electronic mail (email), which is one component of the Internet, approximates person to person letters, memoranda, notes and even phone calls. 2.Another term that is often used is electronic news (enews/Usenet), enews is a broadcast, free to the Internet medium. 3.The term FTP is also frequently used. File transfer protocol (FTP) started as an Internet archival and retrieval medium, somewhat analogous to traditional libraries. 4.The world-wide web (WWW), which is another component of the Net, can be used to publish material that would traditionally appear in journals, magazines, posters, books, television and even on film. 2.It is also essential to give a brief history on the internet. 3.The U.S. government is now trying to pass bills to prevent misuse of the Net. II. In order to understand the need for the ever-growing body of legislation, it is important to explore the controversy, and the current problems involved with the Net as it exists must be introduced. 1.The problem that concerns most people is offensive materials such as pornography. 2.Another crucial internet crime is the stealing of credit card numbers. III. One reaction to this inapplicability has been the Censor the Net approach (the censorship bill), we are now to compare its advantages and disadvantages. 1.First, the meaning of Censoring the Net must be explained. 2.However, many experts have pointed out that government censorship is not possible. 1.First, it is not fair to exclude the freedom and damage the atmosphere of freely expressing ideas just for the safety of children. 2.Most internet users are enjoying their freedom of speech on the Net, which is supposed to be protected by our First Amendment. 3.Additionally, only a very small portion of the Net contains offensive material, most people do not use the Net for pornography. 4.It must be understood that censoring the Net is technically impossible. 5.While people are concerned about Internet pornography, it should be recognized that pornography is sometimes legal; for example, pornography is legal in video and magazines. IV. There are many alternative measures to government censorship which would prevent misuse of the Net and would have the same effects as censorship. 1.It is very important for parents to provide moral guidance for their children, and parents should have this responsibility. 2.However, at the same time as we carry out moral guidance, we have to come out with some short term approaches to solve the problem in a more efficient way as well. 3.An alternative to government censorship is the technological fix, which would prevent misuse of the Net and would have the same effects as government censorship. 1.One example of technological fix is the SurfWatch software. 2.Also, commercial Internet service providers, such as America Online, allow parents to control what Internet relay chat (IRC) sessions are available to their children. 3.Another technological fix is for parents and guardians to have a separate proxy server for their children's web browser. 4.There are no computer programs to automatically and reliably classify material; only people can do it. As a result, while practicing technological fixes, the classification of the contents of the material when posting is very important. 5.Nowadays, most internet users classify their postings with standard categories, and leave signatures at the end of postings. 6.The combination of the installation of censoring software and the classification of materials is a much better solution than government censorship. Conclusion Bibliography The Internet is a wonderful place of entertainment and education but like all places used by millions of people, it has some murky corners people would prefer children not to explore. In the physical world society as a whole conspires to protect children, but there are no social or physical constraints to Internet surfing. The Internet Censorship Bill of 1995, also known as the Exon/Coats Communications Decency Act, has been introduced in the U.S. Congress. It would make it a criminal offense to make available to children anything that is indecent, or to send anything indecent with intent to annoy, abuse, threaten, or harass (Stop the Communications ... n.p.). The goal of this bill as written (though not

What Is Vancouver Referencing

What Is Vancouver Referencing What Is Vancouver Referencing? Vancouver is the most populous city in the Canadian province of British Columbia. It is ethnically diverse, known for its high quality of life, and nicknamed â€Å"Hollywood North† for its connections to the Canadian film industry. It is also the home of Vancouver referencing. Well, sort of. In this post, we’ll look at the basics of Vancouver referencing. This will include how to cite sources, reference lists and bibliographies, and why it is called â€Å"Vancouver† referencing in the first place. What Is Vancouver Referencing? Vancouver referencing is so called because of the International Committee of Medical Journal Editors, who met in Vancouver to agree on a referencing style for all biomedical journals. They decided on an â€Å"author–number† system. This uses numbered citations to point to entries in a reference list, where the author and text are named. However, Vancouver is not a â€Å"system† in the strict sense. Instead, it is a reference style with several variations (e.g., style of punctuation and use of italics). As such, if your school or publisher suggests using Vancouver referencing, make sure to check your style guide carefully. Citations in Vancouver As mentioned above, Vancouver uses numbers to point to an entry in the reference list. The exact format for citing a source can vary, but this usually involves parentheses (1), square brackets [2], or superscript numbers.3 If the author is named in the text, the citation usually comes after their name. If not, the citation goes at the end of the relevant passage. For instance: According to Smith (1), X is Y. However, some studies disagree (2). Each number refers to a different source, with sources numbered in the order they are first cited. If you then cite the same source again, simply repeat the number you used the first time. Advanced Citations As well as basic citations, you can cite more than one source at a time by including more than one number. And if you quote a source, you should also include page numbers: If X truly is Y (1, 3-5), then â€Å"Y must also be X† (6: p. 24). For example, with the first citation above, the author is citing sources 1, 3, 4, and 5 from their reference list. With the second citation, they are citing page 24 of the sixth source in the list. The Reference List Like with citations, the format of a Vancouver reference list will depend on the version of the system used. However, they all have two things in common: Sources are listed in the order they are first cited in your document. All references should include enough information for the reader to find the source used. A reference for a book, for example, might look like this: (1) Smith A. X and Y: A Study of Similarity. New York: PI Publications; 2012. The number at the start matches the citation in the main text. After that, we have the author’s name, the title of the book, and the publication details. This level of detail will usually suffice. Reference List or Bibliography? Some versions of Vancouver distinguish between a â€Å"reference list† and a â€Å"bibliography.† Usually, the reference list is only cited sources, while a bibliography may include additional reading. This terminology can vary, though, and which you need will depend on the version of Vancouver used. This, again, makes it wise to check your style guide if you’re unsure how to proceed. But as long as you’re clear and consistent in how you cite sources in your work, you’ll be on the right track! And if you’d   like someone to check the referencing in your work, let us know.

Othello by William Shakespeare Essay Example | Topics and Well Written Essays - 500 words

Othello by William Shakespeare - Essay Example Outdoors, the cool autumn New York City air was tinged for a moment with the melancholy sounds of Billy Holliday belting out her first-hand impression of the ever-present scourge of lynching in the Deep South; painfully echoing through the words of a song she named Strange Fruit. Set in northern Italy during the late sixteen century, William Shakespeare's tragedy has never been able to avoid its powerful racial imagery. Perhaps that is as it was meant to be. However today, in such a multi-cultural and yet arguably still a rather segregated society, it is often difficult for Americans to truly gage racial sensibilities across several centuries and such wide bodies of water. When have we ever been able to gage an honest understanding of the true nature of racism within our own society So it is, that the best that we may hope to do is to put notions of racial antagonism and identity within the proper context of a prominent European city immersed within the waning years of the Italian Renaissance. Watching from the very first scene, as Iago appears to speak somewhat disparagingly of him as - 'The Moor', and Roderigo mocks his 'thick lips', what are we to make of the contemporary at

ATM Services Assignment Example | Topics and Well Written Essays - 1000 words

ATM Services - Assignment Example After selection of the withdraw option, at this point the user is requested to select the type of account he or she is willing to withdraw from i.e. saving the account, fixed account, and deposit account. After selecting a type of account you wish to withdraw from, you enter the amount you wish to withdraw and submit to bank database for verification. The system verifies whether the amount submitted by the bank customer is sufficient for withdrawal, if not, the customer is requested to enter different amount whereas if the amount entered is approved by the bank or there is sufficient cash, the system sends the account number, PIN, choosen account and the amount in the bank which approves the transaction thus dispensing the correct amount requested by the user and issues a receipt else if the transaction is disapproved because of the incorrect PIN, the disapproval are reported to the system thus initiating Failed Transaction extension. Therefore, informing the bank whether the transac tion has been approved or not; it is completed the bank debits the customer’s for the amount. A transaction involved when depositing dollar amount starts with a session when a customer chooses from the possible transaction types indicated or shown by an ATM machine or system. Therefore, he or she chooses the type of account he or she is wishing to deposit to form the various menu accounts option given and then he proceeds by choosing the amount of dollar through pressing the key or typing digits of the amount to be deposited. During this moment, the bank customer information is sent to the bank database for verification i.e. user card number, PIN, the amount to be deposited, and amount to the bank.

Gardens Essay -- Environment, Nature and Culture, Landscape

Throughout the history of mankind, the gardens have been created to feed the spirit. The landscape is a relationship between nature and culture; it expresses who we are and where we from. Furthermore, landscape architecture advances along with society and it adjust to the change of their tastes and way of life. It is at first hand the search for a balance of adapting the environment and the advance society. We can observe the different styles and designs process each culture has, simply by looking at what kind of elements, plants, and regulations it uses. For example in the United States a designer takes into consideration the ADA regulations while in Mexico they don’t, which will result in a different design approach. This means that we might witness a similar design containing a bridge crossing through a pond but one design might incorporate railings and the other one will not. This tells us how one society values the importance of incorporating safety and handicap accessi bility just by using different elements. The following essay intends to discuss how culture can contribute to the design of an exterior space and how it’s reflected in the work of a landscape architect. To accomplish this task I am going to look at two landscape architects from different regions and witness how diverse but also how unified they are to each other by looking at the way they incorporate elements from their culture and other societies. LANDSCAPE ARCHITECTURE IN BRAZIL The first landscape architect that I choose to accomplish my task is Burle Marx. Troguhout his life he designed hundreds of private and public space which helped him get recognized and obtain comitions throughout Latin- America, United States, and across the continent. Burle ... ...Because of the importance of the location of the site the designer took into consideration the culture aspect of the area. The Olympic forest Park combines the traditional Chinese landscape and the feng-shui philosophy with the contemporary design concepts and techniques. Two crucial traditional elements used were the mountain and water feature, these were incorporated in the planning and design of the Olympic Forest Park. An artificial mountain was created and dragon-shape lake flowing along the axis was designed. The mountain designed is called Yandshan Mountain, to accomplish the design of this mountain the designer analyze other important mountains around Beijing. On the south entrance, large stones are located throughout the plaza. the overall design includes rich landforms, mountain chain, islands, and downhill streams that offer diverse eco-habitats (Jie).

The Da Vinci Code Chapter 102-104

CHAPTER 102 The mist had settled low on Kensington Gardens as Silas limped into a quiet hollow out of sight. Kneeling on the wet grass, he could feel a warm stream of blood flowing from the bullet wound below his ribs. Still, he stared straight ahead. The fog made it look like heaven here. Raising his bloody hands to pray, he watched the raindrops caress his fingers, turning them white again. As the droplets fell harder across his back and shoulders, he could feel his body disappearing bit by bit into the mist. I am a ghost. A breeze rustled past him, carrying the damp, earthy scent of new life. With every living cell in his broken body, Silas prayed. He prayed for forgiveness. He prayed for mercy. And, above all, he prayed for his mentor†¦ Bishop Aringarosa†¦ that the Lord would not take him before his time. Hehas so much work left to do. The fog was swirling around him now, and Silas felt so light that he was sure the wisps would carry him away. Closing his eyes, he said a final prayer. From somewhere in the mist, the voice of Manuel Aringarosa whispered to him. Our Lord is a good and merciful God. Silas's pain at last began to fade, and he knew the bishop was right. CHAPTER 103 It was late afternoon when the London sun broke through and the city began to dry. Bezu Fache felt weary as he emerged from the interrogation room and hailed a cab. Sir Leigh Teabing had vociferously proclaimed his innocence, and yet from his incoherent rantings about the Holy Grail, secret documents, and mysterious brotherhoods, Fache suspected the wily historian was setting the stage for his lawyers to plead an insanity defense. Sure, Fache thought. Insane.Teabing had displayed ingenious precision in formulating a plan that protected his innocence at every turn. He had exploited both the Vatican and Opus Dei, two groups that turned out to be completely innocent. His dirty work had been carried out unknowingly by a fanatical monk and a desperate bishop. More clever still, Teabing had situated his electronic listening post in the one place a man with polio could not possibly reach. The actual surveillance had been carried out by his manservant, Remy – the lone person privy to Teabing's true identity – now conveniently dead of an allergic reaction. Hardly the handiwork of someone lacking mental faculties, Fache thought. The information coming from Collet out of Chateau Villette suggested that Teabing's cunning ran so deep that Fache himself might even learn from it. To successfully hide bugs in some of Paris's most powerful offices, the British historian had turned to the Greeks. Trojan horses.Some of Teabing's intended targets received lavish gifts of artwork, others unwittingly bid at auctions in which Teabing had placed specific lots. In Sauniere's case, the curator had received a dinner invitation to Chateau Villette to discuss the possibility of Teabing's funding a new Da Vinci Wing at the Louvre. Sauniere's invitation had contained an innocuous postscript expressing fascination with a robotic knight that Sauniere was rumored to have built. Bring him to dinner, Teabing had suggested. Sauniere apparently had done just that and left the knight unattended long enough for Remy Legaludec to make one inconspicuous addition. Now, sitting in the back of the cab, Fache closed his eyes. One more thing to attend to before Ireturn to Paris. The St. Mary's Hospital recovery room was sunny. â€Å"You've impressed us all,† the nurse said, smiling down at him. â€Å"Nothing short of miraculous.† Bishop Aringarosa gave a weak smile. â€Å"I have always been blessed.† The nurse finished puttering, leaving the bishop alone. The sunlight felt welcome and warm on his face. Last night had been the darkest night of his life. Despondently, he thought of Silas, whose body had been found in the park. Please forgive me, my son. Aringarosa had longed for Silas to be part of his glorious plan. Last night, however, Aringarosa had received a call from Bezu Fache, questioning the bishop about his apparent connection to a nun who had been murdered in Saint-Sulpice. Aringarosa realized the evening had taken a horrifying turn. News of the four additional murders transformed his horror to anguish. Silas, what have you done! Unable to reach the Teacher, the bishop knew he had been cut loose. Used.The only way to stop the horrific chain of events he had helped put in motion was to confess everything to Fache, and from that moment on, Aringarosa and Fache had been racing to catch up with Silas before the Teacher persuaded him to kill again. Feeling bone weary, Aringarosa closed his eyes and listened to the television coverage of the arrest of a prominent British knight, Sir Leigh Teabing. The Teacher laid bare for all to see.Teabing had caught wind of the Vatican's plans to disassociate itself from Opus Dei. He had chosen Aringarosa as the perfect pawn in his plan. After all, who more likely to leap blindly after the Holy Grail thana man like myself with everything to lose? The Grail would have brought enormous power to anyone who possessed it. Leigh Teabing had protected his identity shrewdly – feigning a French accent and a pious heart, and demanding as payment the one thing he did not need – money. Aringarosa had been far too eager to be suspicious. The price tag of twenty million euro was paltry when compared with the prize of obtaining the Grail, and with the Vatican's separation payment to Opus Dei, the finances had worked nicely. The blind see what they want to see.Teabing's ultimate insult, of course, had been to demand payment in Vatican bonds, such that if anything went wrong, the investigation would lead to Rome. â€Å"I am glad to see you're well, My Lord.† Aringarosa recognized the gruff voice in the doorway, but the face was unexpected – stern, powerful features, slicked-back hair, and a broad neck that strained against his dark suit. â€Å"Captain Fache?† Aringarosa asked. The compassion and concern the captain had shown for Aringarosa's plight last night had conjured images of a far gentler physique. The captain approached the bed and hoisted a familiar, heavy black briefcase onto a chair. â€Å"I believe this belongs to you.† Aringarosa looked at the briefcase filled with bonds and immediately looked away, feeling only shame. â€Å"Yes†¦ thank you.† He paused while working his fingers across the seam of his bed sheet, then continued. â€Å"Captain, I have been giving this deep thought, and I need to ask a favor of you.† â€Å"Of course.† â€Å"The families of those in Paris who Silas†¦Ã¢â‚¬  He paused, swallowing the emotion. â€Å"I realize no sum could possibly serve as sufficient restitution, and yet, if you could be kind enough to divide the contents of this briefcase among them†¦ the families of the deceased.† Fache's dark eyes studied him a long moment. â€Å"A virtuous gesture, My Lord. I will see to it your wishes are carried out.† A heavy silence fell between them. On the television, a lean French police officer was giving a press conference in front of a sprawling mansion. Fache saw who it was and turned his attention to the screen. â€Å"Lieutenant Collet,† a BBC reporter said, her voice accusing. â€Å"Last night, your captain publicly charged two innocent people with murder. Will Robert Langdon and Sophie Neveu be seeking accountability from your department? Will this cost Captain Fache his job?† Lieutenant Collet's smile was tired but calm. â€Å"It is my experience that Captain Bezu Fache seldom makes mistakes. I have not yet spoken to him on this matter, but knowing how he operates, I suspect his public manhunt for Agent Neveu and Mr. Langdon was part of a ruse to lure out the real killer.† The reporters exchanged surprised looks. Collet continued. â€Å"Whether or not Mr. Langdon and Agent Neveu were willing participants in the sting, I do not know. Captain Fache tends to keep his more creative methods to himself. All I can confirm at this point is that the captain has successfully arrested the man responsible, and that Mr. Langdon and Agent Neveu are both innocent and safe.† Fache had a faint smile on his lips as he turned back to Aringarosa. â€Å"A good man, that Collet.† Several moments passed. Finally, Fache ran his hand over his forehead, slicking back his hair as he gazed down at Aringarosa. â€Å"My Lord, before I return to Paris, there is one final matter I'd like to discuss – your impromptu flight to London. You bribed a pilot to change course. In doing so, you broke a number of international laws.† Aringarosa slumped. â€Å"I was desperate.† â€Å"Yes. As was the pilot when my men interrogated him.† Fache reached in his pocket and produced a purple amethyst ring with a familiar hand-tooled mitre-crozier applique. Aringarosa felt tears welling as he accepted the ring and slipped it back on his finger. â€Å"You've been so kind.† He held out his hand and clasped Fache's. â€Å"Thank you.† Fache waved off the gesture, walking to the window and gazing out at the city, his thoughts obviously far away. When he turned, there was an uncertainty about him. â€Å"My Lord, where do you go from here?† Aringarosa had been asked the exact same question as he left Castel Gandolfo the night before. â€Å"I suspect my path is as uncertain as yours.† â€Å"Yes.† Fache paused. â€Å"I suspect I will be retiring early.† Aringarosa smiled. â€Å"A little faith can do wonders, Captain. A little faith.† CHAPTER 104 Rosslyn Chapel – often called the Cathedral of Codes – stands seven miles south of Edinburgh, Scotland, on the site of an ancient Mithraic temple. Built by the Knights Templar in 1446, the chapel is engraved with a mind-boggling array of symbols from the Jewish, Christian, Egyptian, Masonic, and pagan traditions. The chapel's geographic coordinates fall precisely on the north-south meridian that runs through Glastonbury. This longitudinal Rose Line is the traditional marker of King Arthur's Isle of Avalon and is considered the central pillar of Britain's sacred geometry. It is from this hallowed Rose Line that Rosslyn – originally spelled Roslin – takes its name. Rosslyn's rugged spires were casting long evening shadows as Robert Langdon and Sophie Neveu pulled their rental car into the grassy parking area at the foot of the bluff on which the chapel stood. Their short flight from London to Edinburgh had been restful, although neither of them had slept for the anticipation of what lay ahead. Gazing up at the stark edifice framed against a cloud-swept sky, Langdon felt like Alice falling headlong into the rabbit hole. This must be a dream.And yet he knew the text of Sauniere's final message could not have been more specific. The Holy Grail ‘neath ancient Roslin waits. Langdon had fantasized that Sauniere's â€Å"Grail map† would be a diagram – a drawing with an X- marks-the-spot – and yet the Priory's final secret had been unveiled in the same way Sauniere had spoken to them from the beginning. Simple verse.Four explicit lines that pointed without a doubt to this very spot. In addition to identifying Rosslyn by name, the verse made reference to several of the chapel's renowned architectural features. Despite the clarity of Sauniere's final revelation, Langdon had been left feeling more off balance than enlightened. To him, Rosslyn Chapel seemed far too obvious a location. For centuries, this stone chapel had echoed with whispers of the Holy Grail's presence. The whispers had turned to shouts in recent decades when ground-penetrating radar revealed the presence of an astonishing structure beneath the chapel – a massive subterranean chamber. Not only did this deep vault dwarf the chapel atop it, but it appeared to have no entrance or exit. Archaeologists petitioned to begin blasting through the bedrock to reach the mysterious chamber, but the Rosslyn Trust expressly forbade any excavation of the sacred site. Of course, this only fueled the fires of speculation. What was the Rosslyn Trust trying to hide? Rosslyn had now become a pilgrimage site for mystery seekers. Some claimed they were drawn here by the powerful magnetic field that emanated inexplicably from these coordinates, some claimed they came to search the hillside for a hidden entrance to the vault, but most admitted they had come simply to wander the grounds and absorb the lore of the Holy Grail. Although Langdon had never been to Rosslyn before now, he always chuckled when he heard the chapel described as the current home of the Holy Grail. Admittedly, Rosslyn once might have been home to the Grail, long ago†¦ but certainly no longer. Far too much attention had been drawn to Rosslyn in past decades, and sooner or later someone would find a way to break into the vault. True Grail academics agreed that Rosslyn was a decoy – one of the devious dead ends the Priory crafted so convincingly. Tonight, however, with the Priory's keystone offering a verse that pointed directly to this spot, Langdon no longer felt so smug. A perplexing question had been running through his mind all day: Why would Sauniere go to such effort to guide us to so obvious a location? There seemed only one logical answer. There is something about Rosslyn we have yet to understand. â€Å"Robert?† Sophie was standing outside the car, looking back at him. â€Å"Are you corning?† She was holding the rosewood box, which Captain Fache had returned to them. Inside, both cryptexes had been reassembled and nested as they had been found. The papyrus verse was locked safely at its core – minus the shattered vial of vinegar. Making their way up the long gravel path, Langdon and Sophie passed the famous west wall of the chapel. Casual visitors assumed this oddly protruding wall was a section of the chapel that had not been finished. The truth, Langdon recalled, was far more intriguing. The west wall of Solomon's Temple. The Knights Templar had designed Rosslyn Chapel as an exact architectural blueprint of Solomon's Temple in Jerusalem – complete with a west wall, a narrow rectangular sanctuary, and a subterranean vault like the Holy of Holies, in which the original nine knights had first unearthed their priceless treasure. Langdon had to admit, there existed an intriguing symmetry in the idea of the Templars building a modern Grail repository that echoed the Grail's original hiding place. Rosslyn Chapel's entrance was more modest than Langdon expected. The small wooden door had two iron hinges and a simple, oak sign. ROSLIN This ancient spelling, Langdon explained to Sophie, derived from the Rose Line meridian on which the chapel sat; or, as Grail academics preferred to believe, from the† Line of Rose† – the ancestral lineage of Mary Magdalene. The chapel would be closing soon, and as Langdon pulled open the door, a warm puff of air escaped, as if the ancient edifice were heaving a weary sigh at the end of a long day. Her entry arches burgeoned with carved cinquefoils. Roses. The womb of the goddess. Entering with Sophie, Langdon felt his eyes reaching across the famous sanctuary and taking it all in. Although he had read accounts of Rosslyn's arrestingly intricate stonework, seeing it in person was an overwhelming encounter. Symbology heaven, one of Langdon's colleagues had called it. Every surface in the chapel had been carved with symbols – Christian cruciforms, Jewish stars, Masonic seals, Templar crosses, cornucopias, pyramids, astrological signs, plants, vegetables, pentacles, and roses. The Knights Templar had been master stonemasons, erecting Templar churches all over Europe, but Rosslyn was considered their most sublime labor of love and veneration. The master masons had left no stone uncarved. Rosslyn Chapel was a shrine to all faiths†¦ to all traditions†¦ and, above all, to nature and the goddess. The sanctuary was empty except for a handful of visitors listening to a young man giving the day's last tour. He was leading them in a single-file line along a well-known route on the floor – an invisible pathway linking six key architectural points within the sanctuary. Generations of visitors had walked these straight lines, connecting the points, and their countless footsteps had engravedan enormous symbol on the floor. The Star of David, Langdon thought. No coincidence there.Also known as Solomon's Seal, this hexagram had once been the secret symbol of the stargazing priests and was later adopted by the Israelite kings – David and Solomon. The docent had seen Langdon and Sophie enter, and although it was closing time, offered a pleasant smile and motioned for them to feel free to look around. Langdon nodded his thanks and began to move deeper into the sanctuary. Sophie, however, stood riveted in the entryway, a puzzled look on her face. â€Å"What is it?† Langdon asked. Sophie stared out at the chapel. â€Å"I think†¦ I've been here.† Langdon was surprised. â€Å"But you said you hadn't even heard of Rosslyn.† â€Å"I hadn't†¦Ã¢â‚¬  She scanned the sanctuary, looking uncertain. â€Å"My grandfather must have brought me here when I was very young. I don't know. It feels familiar.† As her eyes scanned the room, she began nodding with more certainty. â€Å"Yes.† She pointed to the front of the sanctuary. â€Å"Those two pillars†¦ I've seen them.† Langdon looked at the pair of intricately sculpted columns at the far end of the sanctuary. Their white lacework carvings seemed to smolder with a ruddy glow as the last of the day's sunlight streamed in through the west window. The pillars – positioned where the altar would normally stand – were an oddly matched pair. The pillar on the left was carved with simple, vertical lines, while the pillar on the right was embellished with an ornate, flowering spiral. Sophie was already moving toward them. Langdon hurried after her, and as they reached the pillars, Sophie was nodding with incredulity. â€Å"Yes, I'm positive I have seen these!† â€Å"I don't doubt you've seen them,† Langdon said,† but it wasn't necessarily here.† She turned. â€Å"What do you mean?† â€Å"These two pillars are the most duplicated architectural structures in history. Replicas exist all over the world.† â€Å"Replicas of Rosslyn?† She looked skeptical. â€Å"No. Of the pillars. Do you remember earlier that I mentioned Rosslyn itself is a copy of Solomon's Temple? Those two pillars are exact replicas of the two pillars that stood at the head of Solomon's Temple.† Langdon pointed to the pillar on the left. â€Å"That's called Boaz – or the Mason's Pillar. The other is called Jachin – or the Apprentice Pillar.† He paused. â€Å"In fact, virtually every Masonic temple in the world has two pillars like these.† Langdon had already explained to her about the Templars' powerful historic ties to the modern Masonic secret societies, whose primary degrees – Apprentice Freemason, Fellowcraft Freemason, and Master Mason – harked back to early Templar days. Sophie's grandfather's final verse made direct reference to the Master Masons who adorned Rosslyn with their carved artistic offerings. It also noted Rosslyn's central ceiling, which was covered with carvings of stars and planets. â€Å"I've never been in a Masonic temple,† Sophie said, still eyeing the pillars. â€Å"I am almost positive I saw these here.† She turned back into the chapel, as if looking for something else to jog her memory. The rest of the visitors were now leaving, and the young docent made his way across the chapel to them with a pleasant smile. He was a handsome young man in his late twenties, with a Scottish brogue and strawberry blond hair. â€Å"I'm about to close up for the day. May I help you find anything?† How about the Holy Grail? Langdon wanted to say. â€Å"The code,† Sophie blurted, in sudden revelation. â€Å"There's a code here!† The docent looked pleased by her enthusiasm. â€Å"Yes there is, ma'am.† â€Å"It's on the ceiling,† she said, turning to the right-hand wall. â€Å"Somewhere over†¦ there.† He smiled. â€Å"Not your first visit to Rosslyn, I see.† The code, Langdon thought. He had forgotten that little bit of lore. Among Rosslyn's numerous mysteries was a vaulted archway from which hundreds of stone blocks protruded, jutting down to form a bizarre multifaceted surface. Each block was carved with a symbol, seemingly at random, creating a cipher of unfathomable proportion. Some people believed the code revealed the entrance to the vault beneath the chapel. Others believed it told the true Grail legend. Not that it mattered – cryptographers had been trying for centuries to decipher its meaning. To this day the Rosslyn Trust offered a generous reward to anyone who could unveil the secret meaning, but the code remained a mystery. â€Å"I'd be happy to show†¦Ã¢â‚¬  The docent's voice trailed off. My first code, Sophie thought, moving alone, in a trance, toward the encoded archway. Having handed the rosewood box to Langdon, she could feel herself momentarily forgetting all about the Holy Grail, the Priory of Sion, and all the mysteries of the past day. When she arrived beneath the encoded ceiling and saw the symbols above her, the memories came flooding back. She was recalling her first visit here, and strangely, the memories conjured an unexpected sadness. She was a little girl†¦ a year or so after her family's death. Her grandfather had brought her to Scotland on a short vacation. They had come to see Rosslyn Chapel before going back to Paris. It was late evening, and the chapel was closed. But they were still inside. â€Å"Can we go home, Grand-pere?† Sophie begged, feeling tired. â€Å"Soon, dear, very soon.† His voice was melancholy. â€Å"I have one last thing I need to do here. How about if you wait in the car?† â€Å"You're doing another big person thing?† He nodded. â€Å"I'll be fast. I promise.† â€Å"Can I do the archway code again? That was fun.† â€Å"I don't know. I have to step outside. You won't be frightened in here alone?† â€Å"Of course not!† she said with a huff. â€Å"It's not even dark yet!† He smiled. â€Å"Very well then.† He led her over to the elaborate archway he had shown her earlier. Sophie immediately plopped down on the stone floor, lying on her back and staring up at the collage of puzzle pieces overhead. â€Å"I'm going to break this code before you get back!† â€Å"It's a race then.† He bent over, kissed her forehead, and walked to the nearby side door. â€Å"I'll be right outside. I'll leave the door open. If you need me, just call.† He exited into the soft evening light. Sophie lay there on the floor, gazing up at the code. Her eyes felt sleepy. After a few minutes, the symbols got fuzzy. And then they disappeared. When Sophie awoke, the floor felt cold. â€Å"Grand-pere?† There was no answer. Standing up, she brushed herself off. The side door was still open. The evening was getting darker. She walked outside and could see her grandfather standing on the porch of a nearby stone house directly behind the church. Her grandfather was talking quietly to a person barely visible inside the screened door. â€Å"Grand-pere?† she called. Her grandfather turned and waved, motioning for her to wait just a moment. Then, slowly, he said some final words to the person inside and blew a kiss toward the screened door. He came to her with tearful eyes. â€Å"Why are you crying, Grand-pere?† He picked her up and held her close. â€Å"Oh, Sophie, you and I have said good-bye to a lot of people this year. It's hard.† Sophie thought of the accident, of saying good-bye to her mother and father, her grandmother and baby brother. â€Å"Were you saying goodbye to another person?† â€Å"To a dear friend whom I love very much,† he replied, his voice heavy with emotion. â€Å"And I fear I will not see her again for a very long time.† Standing with the docent, Langdon had been scanning the chapel walls and feeling a rising wariness that a dead end might be looming. Sophie had wandered off to look at the code and left Langdon holding the rosewood box, which contained a Grail map that now appeared to be no help at all. Although Sauniere's poem clearly indicated Rosslyn, Langdon was not sure what to do now that they had arrived. The poem made reference to a ‘blade and chalice', which Langdon saw nowhere. The Holy Grail ‘neath ancient Roslin waits. The blade and chalice guarding o'er Her gates. Again Langdon sensed there remained some facet of this mystery yet to reveal itself. â€Å"I hate to pry,† the docent said, eyeing the rosewood box in Langdon's hands. â€Å"But this box†¦ might I ask where you got it?† Langdon gave a weary laugh. â€Å"That's an exceptionally long story.† The young man hesitated, his eyes on the box again. â€Å"It's the strangest thing – my grandmother has a box exactly like that – a jewelry box. Identical polished rosewood, same inlaid rose, even the hinges look the same.† Langdon knew the young man must be mistaken. If ever a box had been one of a kind, it was thisone – the box custom-made for the Priory keystone. â€Å"The two boxes may be similar but – â€Å" The side door closed loudly, drawing both of their gazes. Sophie had exited without a word and was now wandering down the bluff toward a fieldstone house nearby. Langdon stared after her. Where is she going? She had been acting strangely ever since they entered the building. He turned to the docent. â€Å"Do you know what that house is?† He nodded, also looking puzzled that Sophie was going down there. â€Å"That's the chapel rectory. The chapel curator lives there. She also happens to be the head of the Rosslyn Trust.† He paused. â€Å"And my grandmother.† â€Å"Your grandmother heads the Rosslyn Trust?† The young man nodded. â€Å"I live with her in the rectory and help keep up the chapel and give tours.† He shrugged. â€Å"I've lived here my whole life. My grandmother raised me in that house.† Concerned for Sophie, Langdon moved across the chapel toward the door to call out to her. He was only halfway there when he stopped short. Something the young man said just registered. My grandmother raised me. Langdon looked out at Sophie on the bluff, then down at the rosewood box in his hand. Impossible. Slowly, Langdon turned back to the young man. â€Å"You said your grandmother has a box like this one?† â€Å"Almost identical.† â€Å"Where did she get it?† â€Å"My grandfather made it for her. He died when I was a baby, but my grandmother still talks about him. She says he was a genius with his hands. He made all kinds of things.† Langdon glimpsed an unimaginable web of connections emerging. â€Å"You said your grandmother raised you. Do you mind my asking what happened to your parents?† The young man looked surprised. â€Å"They died when I was young.† He paused. â€Å"The same day as my grandfather.† Langdon's heart pounded. â€Å"In a car accident?† The docent recoiled, a look of bewilderment in his olive-green eyes. â€Å"Yes. In a car accident. My entire family died that day. I lost my grandfather, my parents, and†¦Ã¢â‚¬  He hesitated, glancing down at the floor. â€Å"And your sister,† Langdon said. Out on the bluff, the fieldstone house was exactly as Sophie remembered it. Night was falling now, and the house exuded a warm and inviting aura. The smell of bread wafted through the opened screened door, and a golden light shone in the windows. As Sophie approached, she could hear the quiet sounds of sobbing from within. Through the screened door, Sophie saw an elderly woman in the hallway. Her back was to the door, but Sophie could see she was crying. The woman had long, luxuriant, silver hair that conjured an unexpected wisp of memory. Feeling herself drawn closer, Sophie stepped onto the porch stairs. The woman was clutching a framed photograph of a man and touching her fingertips to his face with loving sadness. It was a face Sophie knew well. Grand-pere. The woman had obviously heard the sad news of his death last night. A board squeaked beneath Sophie's feet, and the woman turned slowly, her sad eyes finding Sophie's. Sophie wanted to run, but she stood transfixed. The woman's fervent gaze never wavered as she set down the photo and approached the screened door. An eternity seemed to pass as the two women stared at one another through the thin mesh. Then, like the slowly gathering swell of an ocean wave, the woman's visage transformed from one of uncertainty†¦ to disbelief†¦ to hope†¦ and finally, to cresting joy. Throwing open the door, she came out, reaching with soft hands, cradling Sophie's thunderstruck face. â€Å"Oh, dear child†¦ look at you!† Although Sophie did not recognize her, she knew who this woman was. She tried to speak but found she could not even breathe. â€Å"Sophie,† the woman sobbed, kissing her forehead. Sophie's words were a choked whisper. â€Å"But†¦ Grand-pere said you were†¦Ã¢â‚¬  â€Å"I know.† The woman placed her tender hands on Sophie's shoulders and gazed at her with familiar eyes. â€Å"Your grandfather and I were forced to say so many things. We did what we thought was right. I'm so sorry. It was for your own safety, princess.† Sophie heard her final word, and immediately thought of her grandfather, who had called her princess for so many years. The sound of his voice seemed to echo now in the ancient stones of Rosslyn, settling through the earth and reverberating in the unknown hollows below. The woman threw her arms around Sophie, the tears flowing faster. â€Å"Your grandfather wanted so badly to tell you everything. But things were difficult between you two. He tried so hard. There'sso much to explain. So very much to explain.† She kissed Sophie's forehead once again, then whispered in her ear. â€Å"No more secrets, princess. It's time you learn the truth about our family.† Sophie and her grandmother were seated on the porch stairs in a tearful hug when the young docent dashed across the lawn, his eyes shining with hope and disbelief. â€Å"Sophie?† Through her tears, Sophie nodded, standing. She did not know the young man's face, but as they embraced, she could feel the power of the blood coursing through his veins†¦ the blood she now understood they shared. When Langdon walked across the lawn to join them, Sophie could not imagine that only yesterday she had felt so alone in the world. And now, somehow, in this foreign place, in the company of three people she barely knew, she felt at last that she was home.

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